Projects

Three New Music Videos for CalBal Live

This past weekend the Mint Julep Jazz Band premiered three new music videos as part of the California Balboa Classic’s virtual event, CalBal Live! The event reached out to 5 bands/bandleaders to create brand new recordings for the event, compiled remotely due to the COVID-19 pandemic, including Michael Gamble and the Rhythm Serenaders, Gordon Au’s Grand Street Stompers, the Jen Hodge All-Stars, Keenan McKenzie and the Riffers, and the Mint Julep Jazz Band, We hope you enjoy these new-to-us tunes, here’s the scoop on each song, the sponsors, and the musicians for each recording:

COWBELL SERENADE

If you say CalBal three times fast it might come out sounding like cowbell at the end – hence this tune is a pun on the event’s nickname. We’d been looking for pitched cowbells for years, online an at music stores, and it took a pandemic Zoom cocktail hangout for the topic of almglocken to come out. Thanks to Jonathan Stout for the suggestion, we think they worked out great! Here’s our rendition of Johnny Blowers’ Cowbell Serenade, sponsored by Gary Chyi.

Lucian Cobb – trombone, Matt Fattal – trumpet, Keenan McKenzie – tenor saxophone, Aaron Hill – alto saxophone, Chip Newton – guitar, Jason Foureman – bass, Kobie Watkins – drums, Laura Windley – glockenspiel

I’M GONNA SIT RIGHT DOWN AND WRITE MYSELF A LETTER

This is an original arrangement of I’m Gonna Sit Right Down and Write Myself a Letter, written by Lucian Cobb, with vocals inspired by the Boswell Sisters. Thanks so much to Kevin Wang, Lian Tarhay, Ursula Hicks, Kevin Nguyen, Matt Mitchell, and Jennifer Reed, all swing dancers in Austin and Dallas, Texas, who joined forces to sponsor this song for CalBal Live.

Laura Windley – vocals, Lucian Cobb – trombone, Paul Rogers – trumpet, Keenan McKenzie – tenor saxophone, Aaron Hill – alto saxophone, Ben Lassiter – guitar, Peter Kimosh – bass, Aaron Tucker – drums

RAGGIN’ THE SCALE

When we started talking to the CalBal Live organizers it became clear that they were excited about everything the bandleaders proposed and were up for funding big band charts. While the Mint Julep Jazz Band isn’t a big band, Lucian really wanted to do a big band song because it would be fun to put together. He had already transcribed Raggin’ the Scale (from an Ella Fitzgerald and her Famous Orchestra live recording from the Savoy Ballroom) for Michael Gamble and the Rhythm Serenaders Orchestra and Michael gave his blessing for us to record Lucian’s transcription, so here we are! Thanks so much to Pasadena Balboa and Jam for sponsoring Raggin’ the Scale, this song is an absolute blast.

Trumpet – Renee McGee, Jay Meachum, and Jim Ketch; Trombone – Lucian Cobb and Evan Ringel; Alto Saxophone – Brian Miller and Aaron Hill; Tenor Saxophone – Keenan McKenzie and Annalise Stalls; Drums – Dan Faust; Bass – William Ledbetter; Guitar – Ben Lassiter; Piano – Clark Stern; Glockenspiel – Laura Windley

April 2020 COVID-19 Update

It’s amazing how time has seemed to stand still, yet fly by.  I have remained busy, as my day job is deemed essential, but I have also been busier than I thought I would be with various music and other projects.  Here’s a recap of the past month’s projects:

Gordon Au’s Tribute to Louis Armstrong and his All-Stars – Live at Lindy Focus was released on April 15 – this was such a special night of music and we are all very pleased with how this album came out, particularly since none of us had anticipated releasing the recordings from that night and we had only really run through half the tunes in rehearsal that day before performing Gordon’s wonderful arrangements.  This album is full of joy, so if you need some of that in your life right now, this would be a great investment in happiness.  Visit Bandcamp to download this digital release.

Keenan McKenzie put together a virtual collaboration of video/recording of his lovely song The Dwindling Light by the Sea, with yours truly reprising vocals, Lucian Cobb on trombone, Jonathan Stout on guitar, James Posedel on piano, William Ledbetter on bass, and Dan Faust on drums.  Here’s another recording, this time with visual, to add some joy to your day.  If you’d like to see more collaborations organized by Keenan, please consider donating to his virtual tip jar at VENMO: @keenanmckenziemusic OR
PAYPAL: paypal.me/keenanmckenziemusic

On another musical note, Bandcamp is doing musicians affected by the pandemic another solid and reprising their waiver of the revenue share for all sales on Bandcamp – this is in effect May 1, June 5, and July 3 (the first Friday of each month) from midnight to midnight PDT on each day.  If you’ve been planning to buy music, you can do the most good for musicians by purchasing on these particular dates.

On April 9, 2020, I DJ’ed (along with several of my fellow swing band leaders- Jonathan Stout, Michael Gamble, Brooks Prumo, Jonathan Ng, and house DJ Rickard Johansson) for the Global Online Social, a DJ’ed virtual dance party on Zoom and Twitch organized by Paul Riding that features new DJs every Thursday, playing swing music for a good portion of the day.  Maybe you dance, maybe you just need some swing music to keep you motivated as you work, but it’s a lot of fun – consider tuning in!

Finally, I’ve released three more episodes of Lindy Shopper’s Closet, the YouTube series spinoff of my Lindy Shopper blog, covering the topics of moth prevention, my favorite swing dance shoes, and dance undergarments, all posted below – please subscribe to my YouTube channel (I’ll eventually get back to posting music, too) and enjoy!

Exhibit on Early Jazz and Swing at the Museum of Durham History

As part of Durham, North Carolina’s 150th anniversary this year, the Museum of Durham History invited the community to submit ideas for community curated exhibits.  I’m excited that I was selected to curate one of these exhibits, based on my Early Jazz and Swing in Durham, NC blog post!  The exhibit will open on July 5, 2019 with a reception from 6:00 p.m. to 8:00 p.m. (with dancing under the gazebo to recordings of all the musicians and bands featured in the exhibit), and will be on display throughout the month of July.

If you’re already in town or will be in town for the Bull City Swingout, swing by the museum and check it out!  I’ll also have an interactive downtown map that you can pick up if you’d like to do a self-guided walking tour of some of the locations named in the exhibit.

EDITED to add that the museum exhibit got a little love from IndyWeek with a featured article in their Music Issue.

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Holiday Season Shows

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Photograph courtesy of Jessica Keener Photography

As we approach the end of 2018, I have some great gigs coming up, some new, some familiar, but always enjoyable – hope to see you on the dance floor or at a holiday soiree…

November 2-3, 2018  I’m performing with Michael Gamble and the Rhythm Serenaders and Orchestra at The Nevermore Jazz Ball, in St. Louis, Missouri.  Nevermore always cultivates an inviting and local event that draws dancers from all over the U.S. and beyond, with top instruction, great local bands at their Saturday afternoon jazz crawl on Cherokee Street, and some fantastic venues, like the historic Casa Loma Ballroom.

November 24, 2018  The day after Thanksgiving I will board a plan to San Diego to perform with Michael Gamble and the Rhythm Serenaders at the San Diego Jazz Festival.  This is my first time at a west coast jazz festival and really my first time at a jazz festival that focuses on traditional jazz – of course, I’d be remiss if I didn’t mention that this long-running festival has incorporated dance-focused concerts into its lineup, which is where you can find me, both singing and dancing!

December 1 and 8, 2018 The Mint Julep Jazz Band will be performing a private holiday parties – we still have some open dates if you’d like to book us!  Email mintjulepjazzband@gmail.com.  Otherwise, I’ll use that free time to decorate and make holiday cookies. 😉

December 27-31, 2018 I’ll be with the Jonathan Stout and the Lindy Focus All-Star Orchestra and with Michael Gamble and the Rhythm Serenaders at the Disney World of Lindy Hop events, Lindy Focus, in Asheville, NC.  As I’ve posted previously on this blog, we’ll be debuting the newly transcribed charts of the Lionel Hampton Orchestra (who featured a very young Dinah Washington in his band in the 1940’s) and his all-stars and smaller groups, thanks to the generosity of the swing dance/music/fan communities that help support live music via the Indiegogo campaign and keep these charts in the hands of musicians who can continue to perform them.  If you can’t be there, you can tune in and hear the orchestra on the Lindy Focus live stream!

Cheers and Happy Holidays!

Big Band Revival: Lionel Hampton – Indiegogo Campaign to Fund Chart Transcriptions

42658367_2120897154829766_4192294711219716096_nIt’s live!  This year’s Big Band Revival transcription project bandleader is Lionel Hampton and we’re excited to announce that the song lineup will be three sets of big band tunes and two sets of small group tunes – more music for your listening ears, more bang for your buck in terms of contributing to the project.  If you’re not familiar with the past transcription projects (Chick Webb and Jimmie Lunceford), here’s the abbreviated version:

  1. A lot of this music that we love from the swing era isn’t available in chart form to purchase for big bands to perform.
  2. This Indiegogo campaign goes to fund the transcription of the songs listed in the campaign (and the associated music publishing licensing fees), usually 30 songs, which equates to an entire night of big band swing music for the length of a swing dance; this year there are two extra sets of small group material included.  Fund as little or as much as you like – get some swag or fund an entire song of your choice.  You can listen to all the songs that are a part of this project here.
  3. These charts will be performed at Lindy Focus on December 29 – if you can’t attend in person, there’s a live stream on YouTube
  4. Licenses will be pursued for these charts to be published and available for purchase at a reasonable cost on the Heritage Sounds website for you and/or your local swing/big band to perform for your dancing and listening pleasure.

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I am personally excited to be delving into the songs performed by Dinah Washington, who appeared with Lionel Hampton’s Orchestra in the 1940’s.  Dinah never recorded any records with Lionel’s orchestra (she did with his small groups), but a number of air check recordings exist of varying audio quality – I’m excited that these big band charts will be getting a second chance, to be heard in greater fidelity, and maybe someone will even record them someday!

Thank you in advance and thanks to everyone who has already donated – the music means so much to all of us, it’s amazing that this level of support exists from all of you who love swing music and want live swing music to continue to be a part of your lives.

Lindy Focus 2017

static1.squarespaceIt’s the most wonderful time of the year in many ways, but one special annual tradition for me for over 10 years at this point has been Lindy Focus, first as a dancer, then DJ, then vocalist.  This year I’ll be re-joining Jonathan Stout‘s Lindy Focus All-Star Orchestra for the main dances and Michael Gamble and the Rhythm Serenaders for late night on December 30.  I am excited that we will debut Jimmie Lunceford night on December 29, with chart transcriptions funded by the swing dance community, because Jimmie’s swing orchestra is one of my favorites.

I will also be participating in a panel discussion on December 30 from 1:30 p.m. to 3:00 p.m. called “Ain’t She Sweet?  Issues of Gender for Musicians in a Male Oriented Jazz World” with some of my favorite jazz women, and you should also check out all of the discussion series led by Breai Mason-Campbell on issues of race in the Lindy Hop community.  Lindy Focus is always fun and educational and I’m glad that the event continues to push us towards our better understanding and our better selves as a community.

See you soon!

Big Band Revival: Jimmie Lunceford

20245792_1883076361945181_6443729510126131418_nIn the second installment of transcribing arrangements for an entire night dance music from one swing era bandleader, Jimmie Lunceford is on deck and the Indiegogo campaign is live to raise the funds to transcribe all these arrangements and then make them available to the public for bandleaders to purchase for their own bands to perform (or, as in some cases, for dance communities to purchase for their local big band to perform!)   Michael Gamble covers a lot of bases in the video (posted below and in the Indiegogo campaign, about how the Chick Webb project worked from start to finish (and to print) and how we are doing it all over again to bring Jimmie Lunceford’s orchestra back to life for one dance-long night of music.  Please do watch the video, there are a lot of interesting things about this project, some digging into the national archives for existing arrangements (in whole or in part), and some unique things about Lunceford’s band.  Once again, I’m delighted to be working on the transcription project with a team of people dedicated to making sure this music is performed again! #teamLunceford

That New Old Sound – A Compilation Album to Benefit the ACLU

a2618128978_16Swing bandleader Glenn Crytzer wanted to do something to make a difference, so he had this idea of a compilation album of modern day swing and traditional jazz bands coming together to contribute music to benefit the American Civil Liberties Union.  After reaching out to 16 bands (including the Mint Julep Jazz Band!), fundraising, organizing the production of this album, and getting the blessing of the ACLU, the album is ready for purchase!  Pick up a copy of That New Old Sound on Bandcamp, either digital or physical, and if you order by December 17, he’ll ship it to you in time for Christmas – an extra $2.00 and he’ll even gift wrap it for you.  All the proceeds from the sale of this album go to the ACLU to support the defense and preservation of civil liberties

Who’s on this album?  Lots of swing and early jazz goodness from all over the United States, including, of course, Glenn Crytzer (New York), Tuba Skinny (New Orleans), Greg Ruby and the Rhythm Runners (Seattle), Dandy Wellington and his Band (New York), the Boilermaker Jazz Band (Pittsburgh), Jonathan Stout and his Campus Five (Los Angeles), Dan Levinson and his Canary Cottage Dance Orchestra (New York), Gordon Webster (New York), Mint Julep Jazz Band (Durham, NC), Mona’s Hot Four (New York), Solomon Douglas (Seattle/New York/a boat somewhere off the coast of Australia), the Grand Street Stompers (New York), Jonathan Doyle Swingtet (Austin/Chicago), Meschiya Lake and the Little Big Horns (New Orleans), George Gee Swing Orchestra (New York), and Baby Soda (New York).

I am excited to be a part of this compilation album, a great gift idea for any jazz lover or to give someone as a sampler of what’s going on with early jazz today, and to do a small part to contribute to the greater good.