A lot of this music that we love from the swing era isn’t available in chart form to purchase for big bands to perform.
This Indiegogo campaign goes to fund the transcription of the songs listed in the campaign (and the associated music publishing licensing fees), usually 30 songs, which equates to an entire night of big band swing music for the length of a swing dance; this year there are two extra sets of small group material included. Fund as little or as much as you like – get some swag or fund an entire song of your choice. You can listen to all the songs that are a part of this project here.
These charts will be performed at Lindy Focus on December 29 – if you can’t attend in person, there’s a live stream on YouTube
Licenses will be pursued for these charts to be published and available for purchase at a reasonable cost on the Heritage Sounds website for you and/or your local swing/big band to perform for your dancing and listening pleasure.
I am personally excited to be delving into the songs performed by Dinah Washington, who appeared with Lionel Hampton’s Orchestra in the 1940’s. Dinah never recorded any records with Lionel’s orchestra (she did with his small groups), but a number of air check recordings exist of varying audio quality – I’m excited that these big band charts will be getting a second chance, to be heard in greater fidelity, and maybe someone will even record them someday!
Thank you in advance and thanks to everyone who has already donated – the music means so much to all of us, it’s amazing that this level of support exists from all of you who love swing music and want live swing music to continue to be a part of your lives.
In the second installment of transcribing arrangements for an entire night dance music from one swing era bandleader, Jimmie Lunceford is on deck and the Indiegogo campaign is live to raise the funds to transcribe all these arrangements and then make them available to the public for bandleaders to purchase for their own bands to perform (or, as in some cases, for dance communities to purchase for their local big band to perform!) Michael Gamble covers a lot of bases in the video (posted below and in the Indiegogo campaign, about how the Chick Webb project worked from start to finish (and to print) and how we are doing it all over again to bring Jimmie Lunceford’s orchestra back to life for one dance-long night of music. Please do watch the video, there are a lot of interesting things about this project, some digging into the national archives for existing arrangements (in whole or in part), and some unique things about Lunceford’s band. Once again, I’m delighted to be working on the transcription project with a team of people dedicated to making sure this music is performed again! #teamLunceford
One of my favorite swing era bandleaders is Chick Webb, the king of the Savoy Ballroom and jazz drumming trailblazer, who incidentally hired my favorite jazz vocalist, Ella Fitzgerald, for her first gig as the “girl singer” in his band. Chick Webb left this planet too early in 1939 and his legacy of songs lives in the recordings we listen and dance to, but the book of his arrangements is long gone. Seeing a need and an opportunity to bring this music to life again, Michael and Jaya Gamble spearheaded an IndieGoGo campaign to raise money to transcribe 33 Chick Webb arrangements and make them available to the public following transcription and performance at Lindy Focus 2016. The crowd funding goal of $17,000 was met in less than 24 hours and the swing dance community’s love and adoration of Chick Webb’s music is evident in this feat!
On December 29, 2016, the fruits of these labors will come to fruition in a performance of these transcribed Chick Webb charts, with Jonathan Stout leading the change with his Lindy Focus All Star Orchestra and I am beyond any measure of excited to be performing Ella Fitzgerald’s vocal tunes. There is so much love in this project, so many people who want to share in this experience on many levels, it’s almost overwhelming for me to think about. It’s all summarized here on the Lindy Focus page dedicated to this project, detailing the helpers, the backers, the list of songs and people who sponsored them, and the excitement continues to build up to the performance and, for some, the release of these charts so that other bands may carry this music into the future and perform it for an even bigger audience.
I am honored to be a part of the team putting all of this together, both as vocalist and working on the copyright aspects of the project. Cheers to you all, I hope to see you on December 29 in Asheville!