Fresh off the presses this past Friday, May 7, 2021, Michael Gamble has released a new EP of the tunes his regular lineup and the Rhythm Serenaders Orchestra recorded for CalBal Live. Featuring a lineup of incredible swing musicians from around the US (nay, the globe, if you’re counting Noah Hocker, expat in Beijing), I’m singing on three tunes – Born to Swing, Without Your Love, and When You’re Smiling. Bring a smile to your face this week and head over to Bandcamp to pick up a copy! 🙂
This past weekend the Mint Julep Jazz Band premiered three new music videos as part of the California Balboa Classic’s virtual event, CalBal Live! The event reached out to 5 bands/bandleaders to create brand new recordings for the event, compiled remotely due to the COVID-19 pandemic, including Michael Gamble and the Rhythm Serenaders, Gordon Au’s Grand Street Stompers, the Jen Hodge All-Stars, Keenan McKenzie and the Riffers, and the Mint Julep Jazz Band, We hope you enjoy these new-to-us tunes, here’s the scoop on each song, the sponsors, and the musicians for each recording:
If you say CalBal three times fast it might come out sounding like cowbell at the end – hence this tune is a pun on the event’s nickname. We’d been looking for pitched cowbells for years, online an at music stores, and it took a pandemic Zoom cocktail hangout for the topic of almglocken to come out. Thanks to Jonathan Stout for the suggestion, we think they worked out great! Here’s our rendition of Johnny Blowers’ Cowbell Serenade, sponsored by Gary Chyi.
Lucian Cobb – trombone, Matt Fattal – trumpet, Keenan McKenzie – tenor saxophone, Aaron Hill – alto saxophone, Chip Newton – guitar, Jason Foureman – bass, Kobie Watkins – drums, Laura Windley – glockenspiel
I’M GONNA SIT RIGHT DOWN AND WRITE MYSELF A LETTER
This is an original arrangement of I’m Gonna Sit Right Down and Write Myself a Letter, written by Lucian Cobb, with vocals inspired by the Boswell Sisters. Thanks so much to Kevin Wang, Lian Tarhay, Ursula Hicks, Kevin Nguyen, Matt Mitchell, and Jennifer Reed, all swing dancers in Austin and Dallas, Texas, who joined forces to sponsor this song for CalBal Live.
RAGGIN’ THE SCALE
When we started talking to the CalBal Live organizers it became clear that they were excited about everything the bandleaders proposed and were up for funding big band charts. While the Mint Julep Jazz Band isn’t a big band, Lucian really wanted to do a big band song because it would be fun to put together. He had already transcribed Raggin’ the Scale (from an Ella Fitzgerald and her Famous Orchestra live recording from the Savoy Ballroom) for Michael Gamble and the Rhythm Serenaders Orchestra and Michael gave his blessing for us to record Lucian’s transcription, so here we are! Thanks so much to Pasadena Balboa and Jam for sponsoring Raggin’ the Scale, this song is an absolute blast.
Trumpet – Renee McGee, Jay Meachum, and Jim Ketch; Trombone – Lucian Cobb and Evan Ringel; Alto Saxophone – Brian Miller and Aaron Hill; Tenor Saxophone – Keenan McKenzie and Annalise Stalls; Drums – Dan Faust; Bass – William Ledbetter; Guitar – Ben Lassiter; Piano – Clark Stern; Glockenspiel – Laura Windley
Just in time for Halloween, Keenan McKenzie‘s The House on Hawkins Drive – a ghostly tale of dancing and music in a haunted house – is now a music video! Keenan is a true Renaissance man, serving as songwriter, arranger, performer, audio engineer, video editor, and overall creative mastermind of this entire thing. I am, of course, delighted to be a part of the project and equally delighted to appear singing in the moon for the duration of the video.
The video features our friends, Lindy Hoppers Sydney Bernstein-Miller, Jordon Chan Lauren Gibson, Mel Khaw, Audrey MacInnes and Gavin MacInnes, as well as musical collaborators Riley Baker (drums), Lucian Cobb (trombone), Aaron Hill (alto saxophone), Lynn Grissett (trumpet), William MoBetta Ledbetter (bass), Keenan McKenzie (saxophone/clarinet), Chip Newton (guitar), and Mark Wells (piano).
Enjoy and have a safe and wonderful Halloween!
Keenan McKenzie has been releasing remotely recorded videos throughout the COVID-19 pandemic and compiled these recordings and two brand new original swing tunes into Remote Riffing: Volume 1, an EP released on Bandcamp on October 18, 2020. I’m singing on three tunes – The Dwindling Light By the Sea, My Well-Read Baby, and The House on Hawkins Drive. The latter is a Halloween tale of epic proportions, released just in time for your remote festivities!
The album personnel are musicians from all over the United States, including Lucian Cobb (trombone), Jonathan Stout (guitar), James Posedel (piano), William Ledbetter (bass), Daniel Faust (drums), Noah Hocker (trumpet), Josh Collazo (drums), Chris Dawson (piano), Gordon Au (trumpet), Peter Shilliday (utensils), Lynn Grissett (trumpet), Haruka Kikuchi (trombone), Annie Erbsen (guitar), Mark Wells (piano), Chip Newton (guitar), Riley Baker (drums), Renée McGee (trumpet), Shaena Ryan Martin (baritone saxophone), Billie Feather (guitar), and Chrishawn Darby (drums). While I know we all miss performing with each other in-person, it’s exciting to see and hear the possibilities that can be facilitated by pandemic limitations.
Conceived and executed entirely during the pandemic, Michael Gamble has assembled four lineups of musicians from across the US for a remote recording project and is releasing four EPs, two at a time, on the September 4, 2020 and October 2, 2020 Bandcamp Fridays (where Bandcamp donates their share of the proceeds to the artists)! I’m excited to be the featured vocalist on each EP with an incredible lineup of musicians, so many I’ve met over the past decade of performing at swing dance events all over and, while we can’t make music together in person, it is so nice to hear these familiar “voices,” who have been such a wonderful part of my life.
Michael wrote a post that sums it all up nicely, so I’ll share that here and I’ll update with links as they become available:
“ISOLATION SESSIONS, PARTS 1-4
All recordings from this series were made remotely, each of the 18 musicians (from 9 states) playing either in their homes, home-studios, or whatever they could make work! Despite the obvious logistical hurdles, we were determined to make an artistically cohesive and exciting project. Sections of music were pieced together painstakingly to make sure that no part was recorded prior to something that it needed to react creatively to, which often required multiple takes by the same musician on the same tune, spread over weeks. We believe the result — while certainly different in feel than prior Rhythm Serenaders albums which were recorded live in a single room — is a special set of recordings with their own completely unique flavor. We hope they’ll be enjoyed for years to come!
In an alternate timeline I would be boarding a plane this Friday morning to fly to Los Angeles to spend Labor Day weekend days poolside at the LAX Marriott and evenings DJ’ing and singing with my band and Michael Gamble and the Rhythm Serenaders at Camp Hollywood. In our current timeline, Hilary Alexander has put together an incredible weekend of competitions, classes, discussions, and music for a Virtual Camp Hollywood that will be streamed on YouTube for free and classes/events will be donation-based! Find the entire event streaming on the Camp Hollywood YouTube channel, starting at 8 p.m. PDT/11 p.m. EDT this Friday, September 4, 2020 through Monday, September 7, 2020.
I’ll be kicking off the music for the weekend with a DJ set on Friday from 8-10 p.m. PDT/11 p.m.-1 a.m. EDT, you can find me as part of the Bandleader Summit with Jonathan Stout and Michael Gamble on Sunday, September 6, 2020 from 4-5:30 p.m. PDT/7-8:30 p.m. EDT, and at some point over the weekend the Mint Julep Jazz Band will have a little surprise for everyone – tune in!
Photograph courtesy of Piqant Photography.
Be sure to tune in to “What Makes This (Swing) Song Great?” this Saturday, March 21, 2020 at 6:30 p.m. EST, where Jonathan Stout, Michael Gamble, and I will reprise our panel discussion/musical geek out session from Cal Bal in an online format so that more people can enjoy this during these isolated times! Thanks to much to Pasadena Balboa and Jam for sponsoring this – the cost is $15, for more information and to register in advance, visit the Facebook invite.
A Bull City Holiday, an album of Keenan McKenzie’s original holiday swing and jazz music featuring 30 Triangle area musicians, will be out on November 25! You can pre-order the album on Bandcamp and check out one of the tracks as a preview of things to come. If you will be at the Keenan McKenzie and the Riffers show in Richmond on November 16 or at the International Lindy Hop Championships over Thanksgiving weekend, you can also pick up a copy there.
I am one of seven vocalists on this album, check out the incredible list of album personnel on the Bandcamp page – you can find me singing on four tracks: Santa’s Cap, You Can’t Lock the Chimney, As the Nights Grow Longer, and A Charming Winter Town. Enjoy!
Kick off your 2019 holiday season with some original and classic swinging holiday music – Motorco Music Hall plays host to the album release of A Bull City Holiday on December 3, 2019! The show will feature Keenan McKenzie’s original holiday swing tunes as well as some holiday classics, with a cast of Triangle musicians in configurations from trad combos to big band, including vocalists Shana Tucker, Tamisha Waden, Mark Wells, Dave Wright, and yours truly.
Doors open at 7:00 p.m., show starts at 8:00 p.m. – get your tickets now on Motorco’s website, $12.00 advance, $15.00 at the door.
You’re going to love this music – Keenan’s creative lyrics, melodies, and arrangements – don’t miss this one-time, one-of-a-kind show!
Keenan McKenzie has assembled over 20 North Carolina-based musicians (including yours truly) to appear on his album of original holiday swing tunes written by the maestro himself. I had the honor of providing vocals for Keenan’s debut album of original music, Forged in Rhythm, and I’m excited to be working with him again on new material for dancers and also to be working with some of my favorite local musicians. We’ll be recording at Overdub Lane in August, 2019 with ensembles ranging from small group swing to big band.
As with any recording project, nothing is free, but Keenan’s crunched the numbers and launched a reasonable Kickstarter campaign – only $5,500 – which I like to think of as pre-sales for an album you’ll want to buy anyway. Keenan’s also got some great rewards, like private lessons or him transcribing a big band arrangement of your choice that will debut at Lindy Focus this year! Don’t tarry, the campaign is only up until August 21.