Last month Lindy Focus released just about every song from the 2019 event as individual videos! If you’ve been wanting to hear something, but didn’t feel like scrolling through a 3+ hour live stream, head over to the Lindy Focus YouTube channel and browse the multitude of new content. I’m most proud of “I’m a Slick Chick,” featured on Lionel Hampton night and originally performed by Dinah Washington with the Lionel Hampton Orchestra. Dinah absolutely kills on this recording from a live performance, it’s so inspiring and I was excited to be able to perform it live. The transcript was sponsored by the incredible LaTasha Barnes, to whom I am so grateful for this!
Also new on the Lindy Focus YouTube channel are the live streams from this past year’s Lindy Focus – a little smaller lineup, a little smaller in dancer attendance, fully masked and vaccinated, but nevertheless a celebration of early jazz and swing!
Picking up where we left off, we cautiously move back into position, changed forever, but hopeful that our community can once again be together in a meaningful way. While Lindy Focus may more likely resemble a regional Lindy exchange this year, I have a feeling that the impact will still be strong, particularly for those of us who are still working from home and whose scenes are not running regular dances yet.
Per usual, I am most excited about the music – the musicians and bandleaders this year are all from North Carolina! Our state has a history of producing incredible jazz musicians (Coltrane, Simone, Monk, to name a few) and, for the modern swing dance community, you are already familiar with several bands based in NC – Michael Gamble and the Rhythm Serenaders, Keenan McKenzie and the Riffers, and the Mint Julep Jazz Band. We’ll have some new-to-you faces that we’re excited for you to hear (including bandleader Sean Mason!) and I’m sure there will be some new-to-you tunes that we’ve added to our books during the pandemic.
Above all, be safe – Lindy Focus will be requiring masks/vaccinations and we’ll have to do air hugs, but it will be so good to see any number of you and share in the collective and creative energy that has been missing for so long.
If Lindy Focus is not in your risk budget, we all understand and we’ll see you again in the future – if it is in your risk budget this year, registration is open, the hotel is taking bookings, and I’ll see you soon!
Fresh off the presses this past Friday, May 7, 2021, Michael Gamble has released a new EP of the tunes his regular lineup and the Rhythm Serenaders Orchestra recorded for CalBal Live. Featuring a lineup of incredible swing musicians from around the US (nay, the globe, if you’re counting Noah Hocker, expat in Beijing), I’m singing on three tunes – Born to Swing, Without Your Love, and When You’re Smiling. Bring a smile to your face this week and head over to Bandcamp to pick up a copy! 🙂
If you say CalBal three times fast it might come out sounding like cowbell at the end – hence this tune is a pun on the event’s nickname. We’d been looking for pitched cowbells for years, online an at music stores, and it took a pandemic Zoom cocktail hangout for the topic of almglocken to come out. Thanks to Jonathan Stout for the suggestion, we think they worked out great! Here’s our rendition of Johnny Blowers’ Cowbell Serenade, sponsored by Gary Chyi.
I’M GONNA SIT RIGHT DOWN AND WRITE MYSELF A LETTER
This is an original arrangement of I’m Gonna Sit Right Down and Write Myself a Letter, written by Lucian Cobb, with vocals inspired by the Boswell Sisters. Thanks so much to Kevin Wang, Lian Tarhay, Ursula Hicks, Kevin Nguyen, Matt Mitchell, and Jennifer Reed, all swing dancers in Austin and Dallas, Texas, who joined forces to sponsor this song for CalBal Live.
When we started talking to the CalBal Live organizers it became clear that they were excited about everything the bandleaders proposed and were up for funding big band charts. While the Mint Julep Jazz Band isn’t a big band, Lucian really wanted to do a big band song because it would be fun to put together. He had already transcribed Raggin’ the Scale (from an Ella Fitzgerald and her Famous Orchestra live recording from the Savoy Ballroom) for Michael Gamble and the Rhythm Serenaders Orchestra and Michael gave his blessing for us to record Lucian’s transcription, so here we are! Thanks so much to Pasadena Balboa and Jam for sponsoring Raggin’ the Scale, this song is an absolute blast.
Just in time for Halloween, Keenan McKenzie‘s The House on Hawkins Drive – a ghostly tale of dancing and music in a haunted house – is now a music video! Keenan is a true Renaissance man, serving as songwriter, arranger, performer, audio engineer, video editor, and overall creative mastermind of this entire thing. I am, of course, delighted to be a part of the project and equally delighted to appear singing in the moon for the duration of the video.
Keenan McKenzie has been releasing remotely recorded videos throughout the COVID-19 pandemic and compiled these recordings and two brand new original swing tunes into Remote Riffing: Volume 1, an EP released on Bandcamp on October 18, 2020. I’m singing on three tunes – The Dwindling Light By the Sea, My Well-Read Baby, and The House on Hawkins Drive. The latter is a Halloween tale of epic proportions, released just in time for your remote festivities!
The album personnel are musicians from all over the United States, including Lucian Cobb (trombone), Jonathan Stout (guitar), James Posedel (piano), William Ledbetter (bass), Daniel Faust (drums), Noah Hocker (trumpet), Josh Collazo (drums), Chris Dawson (piano), Gordon Au (trumpet), Peter Shilliday (utensils), Lynn Grissett (trumpet), Haruka Kikuchi (trombone), Annie Erbsen (guitar), Mark Wells (piano), Chip Newton (guitar), Riley Baker (drums), Renée McGee (trumpet), Shaena Ryan Martin (baritone saxophone), Billie Feather (guitar), and Chrishawn Darby (drums). While I know we all miss performing with each other in-person, it’s exciting to see and hear the possibilities that can be facilitated by pandemic limitations.
Conceived and executed entirely during the pandemic, Michael Gamble has assembled four lineups of musicians from across the US for a remote recording project and is releasing four EPs, two at a time, on the September 4, 2020 and October 2, 2020 Bandcamp Fridays (where Bandcamp donates their share of the proceeds to the artists)! I’m excited to be the featured vocalist on each EP with an incredible lineup of musicians, so many I’ve met over the past decade of performing at swing dance events all over and, while we can’t make music together in person, it is so nice to hear these familiar “voices,” who have been such a wonderful part of my life.
Michael wrote a post that sums it all up nicely, so I’ll share that here and I’ll update with links as they become available:
“ISOLATION SESSIONS, PARTS 1-4
All recordings from this series were made remotely, each of the 18 musicians (from 9 states) playing either in their homes, home-studios, or whatever they could make work! Despite the obvious logistical hurdles, we were determined to make an artistically cohesive and exciting project. Sections of music were pieced together painstakingly to make sure that no part was recorded prior to something that it needed to react creatively to, which often required multiple takes by the same musician on the same tune, spread over weeks. We believe the result — while certainly different in feel than prior Rhythm Serenaders albums which were recorded live in a single room — is a special set of recordings with their own completely unique flavor. We hope they’ll be enjoyed for years to come!
RELEASE SCHEDULE AND PERSONNEL
As many of you know, bandcamp.com allows one day per month where all sales go to benefit the artists. Since many of us are struggling to make ends meet without gig income, I am making sure to time my releases of these sessions to match those days. That way you know all of your money is going straight to the musicians.
Each session has a unique combination of performers that you’ll recognize from their lifelong contributions to our scene.
SESSIONS #1 & 2 RELEASE DATE: Friday September 4th, 2020
I’ll be kicking off the music for the weekend with a DJ set on Friday from 8-10 p.m. PDT/11 p.m.-1 a.m. EDT, you can find me as part of the Bandleader Summit with Jonathan Stout and Michael Gamble on Sunday, September 6, 2020 from 4-5:30 p.m. PDT/7-8:30 p.m. EDT, and at some point over the weekend the Mint Julep Jazz Band will have a little surprise for everyone – tune in!
Be sure to tune in to “What Makes This (Swing) Song Great?” this Saturday, March 21, 2020 at 6:30 p.m. EST, where Jonathan Stout, Michael Gamble, and I will reprise our panel discussion/musical geek out session from Cal Bal in an online format so that more people can enjoy this during these isolated times! Thanks to much to Pasadena Balboa and Jam for sponsoring this – the cost is $15, for more information and to register in advance, visit the Facebook invite.
A Bull City Holiday, an album of Keenan McKenzie’s original holiday swing and jazz music featuring 30 Triangle area musicians, will be out on November 25! You can pre-order the album on Bandcamp and check out one of the tracks as a preview of things to come. If you will be at the Keenan McKenzie and the Riffers show in Richmond on November 16 or at the International Lindy Hop Championships over Thanksgiving weekend, you can also pick up a copy there.
I am one of seven vocalists on this album, check out the incredible list of album personnel on the Bandcamp page – you can find me singing on four tracks: Santa’s Cap, You Can’t Lock the Chimney, As the Nights Grow Longer, and A Charming Winter Town. Enjoy!