It’s the most wonderful time of the year in many ways, but one special annual tradition for me for over 10 years at this point has been Lindy Focus, first as a dancer, then DJ, then vocalist. This year I’ll be re-joining Jonathan Stout‘s Lindy Focus All-Star Orchestra for the main dances and Michael Gamble and the Rhythm Serenaders for late night on December 30. I am excited that we will debut Jimmie Lunceford night on December 29, with chart transcriptions funded by the swing dance community, because Jimmie’s swing orchestra is one of my favorites.
I will also be participating in a panel discussion on December 30 from 1:30 p.m. to 3:00 p.m. called “Ain’t She Sweet? Issues of Gender for Musicians in a Male Oriented Jazz World” with some of my favorite jazz women, and you should also check out all of the discussion series led by Breai Mason-Campbell on issues of race in the Lindy Hop community. Lindy Focus is always fun and educational and I’m glad that the event continues to push us towards our better understanding and our better selves as a community.
Lindy Focus was such a tidal wave of positive energy this year – even though I didn’t have a lot of down time, all that energy kept me going and going! I got to work with some of the most amazing musicians and dancers, and even spin some tunes in the Balboa room. 🙂 It was an honor to be invited to be in the New Year’s Eve show, done to live music for the first time, and to work with Evita Arce, who is the creative genius who put together the show from scratch. It was a pleasure to perform with Jonathan Stout and his all-star band of musicians – the energy from the band performances was immense and infectious!
I’ve posted below my contributions to the New Year’s Eve show – a recreation of the Duke Ellington Short “Bli Blip” with whiz kid Jon Tigert and a performance of “Sunny Side of the Street” featuring tapper extraordinare Mike Herring – and a version of “Me Myself and I” performed with Jonathan Stout and his Campus Five. Campus Five first: