Fresh off the presses this past Friday, May 7, 2021, Michael Gamble has released a new EP of the tunes his regular lineup and the Rhythm Serenaders Orchestra recorded for CalBal Live. Featuring a lineup of incredible swing musicians from around the US (nay, the globe, if you’re counting Noah Hocker, expat in Beijing), I’m singing on three tunes – Born to Swing, Without Your Love, and When You’re Smiling. Bring a smile to your face this week and head over to Bandcamp to pick up a copy! 🙂
Here’s another video from Michael Gamble and the Rhythm Serenaders, this time paying tribute to Billie Holiday’s arrangement for CalBal Live. When I started working on this tune I couldn’t find any other recordings to reference for the melody. Since Billie takes obvious liberties with the melody, I didn’t want that to be my only frame of reference, so I sought advice from Michael Steinman and he directed me to the Fayetteville Free Library in Fayetteville, New York, which has a substantial collection of sheet music of yesteryear. Sure enough, they had it and were able to email me a copy!
I’m glad I took the time to locate the sheet music because the melody is lovely – I think I’ve taken a bit from the original and a bit of Billie, put it all together with my wonderful music friends, and we made something good. Enjoy!
Thanks to CalBal Live, Michael Gamble was able to put together a 13 piece band and record a transcription of Mildred Bailey’s wonderful “Born to Swing,” which I was elated to be able to perform. I pitched the idea of this song to Michael after I was gifted the 78 of this song and fell in love. He thought it was great, too, so here we are – enjoy!
This past weekend the Mint Julep Jazz Band premiered three new music videos as part of the California Balboa Classic’s virtual event, CalBal Live! The event reached out to 5 bands/bandleaders to create brand new recordings for the event, compiled remotely due to the COVID-19 pandemic, including Michael Gamble and the Rhythm Serenaders, Gordon Au’s Grand Street Stompers, the Jen Hodge All-Stars, Keenan McKenzie and the Riffers, and the Mint Julep Jazz Band, We hope you enjoy these new-to-us tunes, here’s the scoop on each song, the sponsors, and the musicians for each recording:
If you say CalBal three times fast it might come out sounding like cowbell at the end – hence this tune is a pun on the event’s nickname. We’d been looking for pitched cowbells for years, online an at music stores, and it took a pandemic Zoom cocktail hangout for the topic of almglocken to come out. Thanks to Jonathan Stout for the suggestion, we think they worked out great! Here’s our rendition of Johnny Blowers’ Cowbell Serenade, sponsored by Gary Chyi.
Lucian Cobb – trombone, Matt Fattal – trumpet, Keenan McKenzie – tenor saxophone, Aaron Hill – alto saxophone, Chip Newton – guitar, Jason Foureman – bass, Kobie Watkins – drums, Laura Windley – glockenspiel
I’M GONNA SIT RIGHT DOWN AND WRITE MYSELF A LETTER
This is an original arrangement of I’m Gonna Sit Right Down and Write Myself a Letter, written by Lucian Cobb, with vocals inspired by the Boswell Sisters. Thanks so much to Kevin Wang, Lian Tarhay, Ursula Hicks, Kevin Nguyen, Matt Mitchell, and Jennifer Reed, all swing dancers in Austin and Dallas, Texas, who joined forces to sponsor this song for CalBal Live.
RAGGIN’ THE SCALE
When we started talking to the CalBal Live organizers it became clear that they were excited about everything the bandleaders proposed and were up for funding big band charts. While the Mint Julep Jazz Band isn’t a big band, Lucian really wanted to do a big band song because it would be fun to put together. He had already transcribed Raggin’ the Scale (from an Ella Fitzgerald and her Famous Orchestra live recording from the Savoy Ballroom) for Michael Gamble and the Rhythm Serenaders Orchestra and Michael gave his blessing for us to record Lucian’s transcription, so here we are! Thanks so much to Pasadena Balboa and Jam for sponsoring Raggin’ the Scale, this song is an absolute blast.
Trumpet – Renee McGee, Jay Meachum, and Jim Ketch; Trombone – Lucian Cobb and Evan Ringel; Alto Saxophone – Brian Miller and Aaron Hill; Tenor Saxophone – Keenan McKenzie and Annalise Stalls; Drums – Dan Faust; Bass – William Ledbetter; Guitar – Ben Lassiter; Piano – Clark Stern; Glockenspiel – Laura Windley
Conceived and executed entirely during the pandemic, Michael Gamble has assembled four lineups of musicians from across the US for a remote recording project and is releasing four EPs, two at a time, on the September 4, 2020 and October 2, 2020 Bandcamp Fridays (where Bandcamp donates their share of the proceeds to the artists)! I’m excited to be the featured vocalist on each EP with an incredible lineup of musicians, so many I’ve met over the past decade of performing at swing dance events all over and, while we can’t make music together in person, it is so nice to hear these familiar “voices,” who have been such a wonderful part of my life.
Michael wrote a post that sums it all up nicely, so I’ll share that here and I’ll update with links as they become available:
“ISOLATION SESSIONS, PARTS 1-4
All recordings from this series were made remotely, each of the 18 musicians (from 9 states) playing either in their homes, home-studios, or whatever they could make work! Despite the obvious logistical hurdles, we were determined to make an artistically cohesive and exciting project. Sections of music were pieced together painstakingly to make sure that no part was recorded prior to something that it needed to react creatively to, which often required multiple takes by the same musician on the same tune, spread over weeks. We believe the result — while certainly different in feel than prior Rhythm Serenaders albums which were recorded live in a single room — is a special set of recordings with their own completely unique flavor. We hope they’ll be enjoyed for years to come!
In an alternate timeline I would be boarding a plane this Friday morning to fly to Los Angeles to spend Labor Day weekend days poolside at the LAX Marriott and evenings DJ’ing and singing with my band and Michael Gamble and the Rhythm Serenaders at Camp Hollywood. In our current timeline, Hilary Alexander has put together an incredible weekend of competitions, classes, discussions, and music for a Virtual Camp Hollywood that will be streamed on YouTube for free and classes/events will be donation-based! Find the entire event streaming on the Camp Hollywood YouTube channel, starting at 8 p.m. PDT/11 p.m. EDT this Friday, September 4, 2020 through Monday, September 7, 2020.
I’ll be kicking off the music for the weekend with a DJ set on Friday from 8-10 p.m. PDT/11 p.m.-1 a.m. EDT, you can find me as part of the Bandleader Summit with Jonathan Stout and Michael Gamble on Sunday, September 6, 2020 from 4-5:30 p.m. PDT/7-8:30 p.m. EDT, and at some point over the weekend the Mint Julep Jazz Band will have a little surprise for everyone – tune in!
Photograph courtesy of Piqant Photography.
It’s amazing how time has seemed to stand still, yet fly by. I have remained busy, as my day job is deemed essential, but I have also been busier than I thought I would be with various music and other projects. Here’s a recap of the past month’s projects:
Gordon Au’s Tribute to Louis Armstrong and his All-Stars – Live at Lindy Focus was released on April 15 – this was such a special night of music and we are all very pleased with how this album came out, particularly since none of us had anticipated releasing the recordings from that night and we had only really run through half the tunes in rehearsal that day before performing Gordon’s wonderful arrangements. This album is full of joy, so if you need some of that in your life right now, this would be a great investment in happiness. Visit Bandcamp to download this digital release.
Keenan McKenzie put together a virtual collaboration of video/recording of his lovely song The Dwindling Light by the Sea, with yours truly reprising vocals, Lucian Cobb on trombone, Jonathan Stout on guitar, James Posedel on piano, William Ledbetter on bass, and Dan Faust on drums. Here’s another recording, this time with visual, to add some joy to your day. If you’d like to see more collaborations organized by Keenan, please consider donating to his virtual tip jar at VENMO: @keenanmckenziemusic OR
On another musical note, Bandcamp is doing musicians affected by the pandemic another solid and reprising their waiver of the revenue share for all sales on Bandcamp – this is in effect May 1, June 5, and July 3 (the first Friday of each month) from midnight to midnight PDT on each day. If you’ve been planning to buy music, you can do the most good for musicians by purchasing on these particular dates.
On April 9, 2020, I DJ’ed (along with several of my fellow swing band leaders- Jonathan Stout, Michael Gamble, Brooks Prumo, Jonathan Ng, and house DJ Rickard Johansson) for the Global Online Social, a DJ’ed virtual dance party on Zoom and Twitch organized by Paul Riding that features new DJs every Thursday, playing swing music for a good portion of the day. Maybe you dance, maybe you just need some swing music to keep you motivated as you work, but it’s a lot of fun – consider tuning in!
Finally, I’ve released three more episodes of Lindy Shopper’s Closet, the YouTube series spinoff of my Lindy Shopper blog, covering the topics of moth prevention, my favorite swing dance shoes, and dance undergarments, all posted below – please subscribe to my YouTube channel (I’ll eventually get back to posting music, too) and enjoy!
Be sure to tune in to “What Makes This (Swing) Song Great?” this Saturday, March 21, 2020 at 6:30 p.m. EST, where Jonathan Stout, Michael Gamble, and I will reprise our panel discussion/musical geek out session from Cal Bal in an online format so that more people can enjoy this during these isolated times! Thanks to much to Pasadena Balboa and Jam for sponsoring this – the cost is $15, for more information and to register in advance, visit the Facebook invite.
Always a huge highlight on my calendar, Lindy Focus did not disappoint this year. I performed at each main dance with the Jonathan Stout Lindy Focus All-Star Orchestra, but also did two late night dances – one with Michael Gamble and the Rhythm Serenaders and another with Gordon Au‘s tribute to the Louis Armstrong All-Stars. Dance performances kicked off each late night social dance, with the performers having the option of doing a routine with the live band of the night. I was delighted to be a part of three of these late night performances: first, with the Rhythm Serenaders performing Mildred Bailey’s “Lover Come Back to Me” with Peter Kertz and Elze Visnevskyte dancing; second and third with Au’s Armstrong tribute, performing “Squeeze Me” and “All That Meat and No Potatoes” with co-vocals by Jim Ziegler and a cast of Lindy Focus instructors and performers.
I’m posting the three late night performances below. If you’re looking for a nice, long listen, you can revisit the live stream broadcasts for each of 5 nights of big band music (Basie, Ellington, Webb, Hampton, and anything goes on NYE) on the Lindy Focus YouTube channel.
Now that we’ve recorded A Bull City Holiday and can look forward to that release in November, 2019, I’m on to the next recording project! Looking forward to recording a live album with Michael Gamble and the Rhythm Serenaders at Jammin’ on the James in Richmond, VA over the weekend of October 18 and 19, 2019 – we’ll be working with sound engineer Rob Moreland (who we’ve worked with at Lindy Focus and the Nevermore Jazz Ball) to capture the energy of this band in a Craftsman era ballroom that will be filled to the brim with dancers. Thanks so much to the Jammin’ on the James organizers for conceiving of this project and going above and beyond to make it a reality!