It’s finally here! After much pandemic and the regular trials and tribulations of creating a studio album, the Mint Julep Jazz Band’s 3rd album Watch the Birdie takes flight today, Halloween 2022. We hope you enjoy it as much as we enjoyed making it. Available wherever you get your digital music – if you’d like for the most money to go to the band, we encourage you to pick up a copy on our Bandcamp page.
Last month Lindy Focus released just about every song from the 2019 event as individual videos! If you’ve been wanting to hear something, but didn’t feel like scrolling through a 3+ hour live stream, head over to the Lindy Focus YouTube channel and browse the multitude of new content. I’m most proud of “I’m a Slick Chick,” featured on Lionel Hampton night and originally performed by Dinah Washington with the Lionel Hampton Orchestra. Dinah absolutely kills on this recording from a live performance, it’s so inspiring and I was excited to be able to perform it live. The transcript was sponsored by the incredible LaTasha Barnes, to whom I am so grateful for this!
Also new on the Lindy Focus YouTube channel are the live streams from this past year’s Lindy Focus – a little smaller lineup, a little smaller in dancer attendance, fully masked and vaccinated, but nevertheless a celebration of early jazz and swing!
Fresh off the presses this past Friday, May 7, 2021, Michael Gamble has released a new EP of the tunes his regular lineup and the Rhythm Serenaders Orchestra recorded for CalBal Live. Featuring a lineup of incredible swing musicians from around the US (nay, the globe, if you’re counting Noah Hocker, expat in Beijing), I’m singing on three tunes – Born to Swing, Without Your Love, and When You’re Smiling. Bring a smile to your face this week and head over to Bandcamp to pick up a copy! 🙂
I’m excited to announce that my first in-person gig since March 1, 2020 will be with the Glenn Miller Orchestra at the Newberry Opera House in Newberry, SC on April 24, 2021 for a matinee and an evening show! Please check out the Newberry Opera House website for details and COVID precautions and I’ll cautiously hope to see my South Carolina friends there.
We’ll also be performing on April 25, 2021 for the Still Hopes Episcopal Retirement Community in West Columbia, SC – I’m assuming this is not open to the public, but will definitely be a treat for the residents!
The remote recordings continue with the release of Remote Riffing: Volume 2 (CalBal Live), an EP of the five tunes Keenan McKenzie assembled for the CalBal Live virtual Balboa workshop in January, 2020. I’m singing on two tracks, both original swing tunes written by Keenan McKenzie – If I Wrote a Song for You with Keenan McKenzie and the Riffers and Transcontinental with the Keenan McKenzie Orchestra. I have previously recorded both of these songs for Keenan’s album Forged in Rhythm, but it was fun to revisit these, perform them now that I’ve had them under my belt a couple of years, and hear the new arrangements, particularly Transcontinental with a big band! Please go to Keenan’s Bandcamp page and check out the incredible lineups of musicians for each song – I know we have been weary of this pandemic for some time, but this is one of those silver linings, essentially being able to record anywhere and have someone create this alchemy of recordings.
Be sure to tune in to “What Makes This (Swing) Song Great?” this Saturday, March 21, 2020 at 6:30 p.m. EST, where Jonathan Stout, Michael Gamble, and I will reprise our panel discussion/musical geek out session from Cal Bal in an online format so that more people can enjoy this during these isolated times! Thanks to much to Pasadena Balboa and Jam for sponsoring this – the cost is $15, for more information and to register in advance, visit the Facebook invite.
Always a huge highlight on my calendar, Lindy Focus did not disappoint this year. I performed at each main dance with the Jonathan Stout Lindy Focus All-Star Orchestra, but also did two late night dances – one with Michael Gamble and the Rhythm Serenaders and another with Gordon Au‘s tribute to the Louis Armstrong All-Stars. Dance performances kicked off each late night social dance, with the performers having the option of doing a routine with the live band of the night. I was delighted to be a part of three of these late night performances: first, with the Rhythm Serenaders performing Mildred Bailey’s “Lover Come Back to Me” with Peter Kertz and Elze Visnevskyte dancing; second and third with Au’s Armstrong tribute, performing “Squeeze Me” and “All That Meat and No Potatoes” with co-vocals by Jim Ziegler and a cast of Lindy Focus instructors and performers.
I’m posting the three late night performances below. If you’re looking for a nice, long listen, you can revisit the live stream broadcasts for each of 5 nights of big band music (Basie, Ellington, Webb, Hampton, and anything goes on NYE) on the Lindy Focus YouTube channel.
Kick off your 2019 holiday season with some original and classic swinging holiday music – Motorco Music Hall plays host to the album release of A Bull City Holiday on December 3, 2019! The show will feature Keenan McKenzie’s original holiday swing tunes as well as some holiday classics, with a cast of Triangle musicians in configurations from trad combos to big band, including vocalists Shana Tucker, Tamisha Waden, Mark Wells, Dave Wright, and yours truly.
Doors open at 7:00 p.m., show starts at 8:00 p.m. – get your tickets now on Motorco’s website, $12.00 advance, $15.00 at the door.
You’re going to love this music – Keenan’s creative lyrics, melodies, and arrangements – don’t miss this one-time, one-of-a-kind show!
As part of Durham, North Carolina’s 150th anniversary this year, the Museum of Durham History invited the community to submit ideas for community curated exhibits. I’m excited that I was selected to curate one of these exhibits, based on my Early Jazz and Swing in Durham, NC blog post! The exhibit will open on July 5, 2019 with a reception from 6:00 p.m. to 8:00 p.m. (with dancing under the gazebo to recordings of all the musicians and bands featured in the exhibit), and will be on display throughout the month of July.
If you’re already in town or will be in town for the Bull City Swingout, swing by the museum and check it out! I’ll also have an interactive downtown map that you can pick up if you’d like to do a self-guided walking tour of some of the locations named in the exhibit.
EDITED to add that the museum exhibit got a little love from IndyWeek with a featured article in their Music Issue.
My biggest recurring gig of the past few years is definitely Lindy Focus – five nights of big band music with the Jonathan Stout Lindy Focus All Star Orchestra, with new songs added each year and, for the past three years, an entirely new bandleader’s night of music is performed, thanks to crowd funding from our stellar community of swing music supporters. This year’s lineup from start to finish was Jimmie Lunceford (crowd funded in 2017), Benny Goodman, Lionel Hampton (crowd funded in 2018), Chick Webb (crowd funded in 2016), and “Kitchen Sink Night” on New Year’s Eve, featuring an array of swing era arrangements. All of the main dances are Lindy Focus are live streamed on YouTube, which means you can always go back and listen to the music from each night of dancing later! Here are all the live streams from December 27 through December 31, 2018 – I’m featured, in some way or another, as a vocalist on each night, with a vocal trio on Lunceford night and as a featured vocalist on the other four nights. Put some on while you’re doing chores or on a long drive for some toe-tapping tunes!