swing vocalist

Holiday Season Shows

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Photograph courtesy of Jessica Keener Photography

As we approach the end of 2018, I have some great gigs coming up, some new, some familiar, but always enjoyable – hope to see you on the dance floor or at a holiday soiree…

November 2-3, 2018  I’m performing with Michael Gamble and the Rhythm Serenaders and Orchestra at The Nevermore Jazz Ball, in St. Louis, Missouri.  Nevermore always cultivates an inviting and local event that draws dancers from all over the U.S. and beyond, with top instruction, great local bands at their Saturday afternoon jazz crawl on Cherokee Street, and some fantastic venues, like the historic Casa Loma Ballroom.

November 24, 2018  The day after Thanksgiving I will board a plan to San Diego to perform with Michael Gamble and the Rhythm Serenaders at the San Diego Jazz Festival.  This is my first time at a west coast jazz festival and really my first time at a jazz festival that focuses on traditional jazz – of course, I’d be remiss if I didn’t mention that this long-running festival has incorporated dance-focused concerts into its lineup, which is where you can find me, both singing and dancing!

December 1 and 8, 2018 The Mint Julep Jazz Band will be performing a private holiday parties – we still have some open dates if you’d like to book us!  Email mintjulepjazzband@gmail.com.  Otherwise, I’ll use that free time to decorate and make holiday cookies. 😉

December 27-31, 2018 I’ll be with the Jonathan Stout and the Lindy Focus All-Star Orchestra and with Michael Gamble and the Rhythm Serenaders at the Disney World of Lindy Hop events, Lindy Focus, in Asheville, NC.  As I’ve posted previously on this blog, we’ll be debuting the newly transcribed charts of the Lionel Hampton Orchestra (who featured a very young Dinah Washington in his band in the 1940’s) and his all-stars and smaller groups, thanks to the generosity of the swing dance/music/fan communities that help support live music via the Indiegogo campaign and keep these charts in the hands of musicians who can continue to perform them.

Cheers and Happy Holidays!

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Big Band Revival: Lionel Hampton – Indiegogo Campaign to Fund Chart Transcriptions

42658367_2120897154829766_4192294711219716096_nIt’s live!  This year’s Big Band Revival transcription project bandleader is Lionel Hampton and we’re excited to announce that the song lineup will be three sets of big band tunes and two sets of small group tunes – more music for your listening ears, more bang for your buck in terms of contributing to the project.  If you’re not familiar with the past transcription projects (Chick Webb and Jimmie Lunceford), here’s the abbreviated version:

  1. A lot of this music that we love from the swing era isn’t available in chart form to purchase for big bands to perform.
  2. This Indiegogo campaign goes to fund the transcription of the songs listed in the campaign (and the associated music publishing licensing fees), usually 30 songs, which equates to an entire night of big band swing music for the length of a swing dance; this year there are two extra sets of small group material included.  Fund as little or as much as you like – get some swag or fund an entire song of your choice.  You can listen to all the songs that are a part of this project here.
  3. These charts will be performed at Lindy Focus on December 29 – if you can’t attend in person, there’s a live stream on YouTube
  4. Licenses will be pursued for these charts to be published and available for purchase at a reasonable cost on the Heritage Sounds website for you and/or your local swing/big band to perform for your dancing and listening pleasure.

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I am personally excited to be delving into the songs performed by Dinah Washington, who appeared with Lionel Hampton’s Orchestra in the 1940’s.  Dinah never recorded any records with Lionel’s orchestra (she did with his small groups), but a number of air check recordings exist of varying audio quality – I’m excited that these big band charts will be getting a second chance, to be heard in greater fidelity, and maybe someone will even record them someday!

Thank you in advance and thanks to everyone who has already donated – the music means so much to all of us, it’s amazing that this level of support exists from all of you who love swing music and want live swing music to continue to be a part of your lives.

Rhythm Is Our Business – October 12-13, 2018

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When dancer/bandleader/event organizer Megan Lange does something, she does it right – which is why I’m excited to be performing with Michael Gamble and the Rhythm Serenaders at the inaugural Rhythm Is Our Business, a workshop weekend in Nashville, Tennessee, October 12-14, 2018.  Megan, as a dancer and musician, has some great ideas on the interplay between the two, here’s a statement from the event website about this weekend’s focus:

“Live music is, arguably, one of the most pivotal parts of Lindy Hop – the history of our dance is steeped in the sounds of Duke Ellington, Jimmie Lunceford, Count Basie, and all of the swing bands we know and love. But when it comes to the partnership between dance and live music, we’re missing something – and Rhythm Is Our Business looks to bridge that gap.

We’re here to bring you the best in partnership – the partnership between dancers and live music, the partnership between song form and flow of movement, the partnership between dancers and their dance partners, and the way all of these come together to create a perfect dance. In a world where emphasis is put on steps and technique in movement, we want to remind you how to bring it back to the original roots of moving to and with the music you dance alongside.

Rhythm Is Our Business brings you back to the music. Let’s re-acquaint ourselves with that partnership together!”

I hope to see you in Nashville this weekend!

Late Summer Shows

By land and by air, I’ll be all over the place for a bit:

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August 25-26, 2018 with Michael Gamble and the Rhythm Serenaders at The International Lindy Hop Championships, Arlington, VA – excited to be a part of this esteemed and exciting event, to perform for such an enthusiastic jazz audience and to enjoy all the incredible performances that happen over the weekend from dancers all over the world.

August 31 and September 3, 2018 Mint Julep Jazz Band and with Michael Gamble and theRhythm Serenaders at Camp Hollywood, Los Angeles, CA – I’ll be DJ’ing and singing, and this is the Mint Julep Jazz Band’s west coast debut!  A little birdie told me that Jean Veloz will be dancing to our live music in the teacher jam and that’s about all my little heart can handle. ❤

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September 8, 2018 with Michael Gamble and the Rhythm Serenaders at the Triangle Swing Dance Society Dance, Durham, NC – we’ll welcome the students back into town and swing the eff out!

CANCELLED DUE TO HURRICANE September 12, 2018 Mint Julep Jazz Band at The Town of Cary’s Park After Dark, Cary, NC – our first performance for the Town of Cary, we’ll send out the summer outdoor concert season in style. –> RESCHEDULED FOR OCTOBER 3, 2018

CANCELLED DUE TO HURRICANE September 15, 2018 Mint Julep Jazz Band at Triangle Swing Dance Society dance, Carrboro, NC – always happy to be playing on our home turf!

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September 21-22, 2018  with the Classic City Swing All-Stars, Classic City Swing, Athens, GA – excited to be a part of this all-star band, which will perform the music of three bands (The Boilermaker Jazz Band, Michael Gamble and the Rhythm Serenaders, and the Mint Julep Jazz Band) and feature a lineup including Paul Cosentino, Keenan McKenzie, Gordon Au, Lucian Cobb, Russ Wilson, Michael Gamble, Chip Newton, and yours truly, plus special guests Naomi Uyama and Jon Tigert!

October 3, 2018 Mint Julep Jazz Band at The Town of Cary’s Park After Dark, Cary, NC – our first performance for the Town of Cary, we’ll send out the summer outdoor concert season in style, fingers crossed, for real this time…

Much to be excited about, I hope to see you out and about!

Why Do Bands Charge More for Weddings?

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Photos are from my own wedding, thanks to the wonderful Katie Garcia Photography

You’re floating high on the dreams of planning the perfect wedding and reception, which is essentially a big party to celebrate the union of you and your significant other.  People who do not normally engage in event planning are suddenly thrown into the position of entering into contracts with a bunch of different event service providers – a baker, a caterer, venue managers, a florist, and maybe even a band to provide live music for the event.  This can all get very expensive very quickly and most couples are trying to get the most out of their wedding budget.

But you think you can swing getting a band, because your friend’s garage band made like $126 in tips at their last gig, this should be completely affordable, maybe even cheaper than a big name wedding DJ, right?

You start sending out inquiries to bands that look like they might be a good fit for your wedding reception and are blown away at the responses.  How dare they?  Your friend’s band was grateful for that $126 in tips, why can’t these bands play your wedding for something comparable?

This example is an exaggeration, of course, but I do find that some responses to my quotes for wedding receptions have an air of indignation.

Charging more for a wedding just because it’s a wedding is something I hear people say about wedding vendors.  While I can’t speak for the other service providers, I can give you some insight into why bands charge more for weddings and it’s not just because the event is labeled “wedding” – there are a number of factors that go into a band’s decision about what to charge for a couple’s special day.

HIRING PROFESSIONALS

The odds are fairly good that if you are researching bands and finding them in your searches or on wedding planning websites that these bands are made up of professional musicians whose base non-wedding pay is already more than the tips at your friend’s garage band gig.  You hire professionals because you don’t want to worry about the music – you want it to sound good, you want the musicians to be experienced, you want them to conduct themselves professionally and be able to roll with all the unexpected punches that go along with any wedding reception.  You don’t want to look up mid-reception and think, “Why is there no music right now?” or “Why is this drummer so loud?” or “What the hell is this song with depressing lyrics?”  Bands who are experienced professionals are going to anticipate your wedding’s needs and deliver a product that is appropriate for the day.

WEEKENDS ARE PRIME TIME

Most weddings occur on a weekend or holiday, when people are already off work and ready to have fun and relax.  These are also the same days that restaurants, bars, festivals, and lots of other events also want to hire bands to draw people to their establishments and events.  With supply and demand comes an increase in cost, as well as musicians maximizing their prime time, since weeknights can be tricky for musicians to get gigs (depending on the area).

As an added factor, bandleaders also want to hire the best musicians for the gig and want these musicians to have a financial incentive to keep this gig.  If a musician is offered a different gig on a weekend that pays more than the gig you offered them, that musician will often take the higher paying gig.  This results in more stress for the bandleader and could result in a reduction of quality of the music, depending on the proximity of the musician’s cancellation to the wedding date and the availability of good substitute musicians.

SPECIAL REQUESTS

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Special request from the band: can we have a piece of cake? 🙂

Last-minute, unanticipated requests are a wedding specialty.  I have a template questionnaire I send to engaged couples to assess how much work and how much time the wedding in question will take.  Inevitably, there is always something that the questionnaire didn’t anticipate or that the couple didn’t know at the time they filled out the questionnaire.  This can be anything from a venue change to unanticipated electrical access issues for outdoor weddings to the bride’s cousin wanting to sing a song with the band that the band doesn’t have in their book to a completely different reception time.  Sometimes the engaged couple will forget that they need an emcee and someone in the band is drafted to do this job, or they forget to tell you that they need your PA for an hour in the middle of the gig so everyone can do toasts.  Part of paying more for a wedding band is that you are paying for the flexibility to make major changes to a contractual agreement that the band has to rely on in order to prepare and schedule their day around your wedding.  It is rare that there are not changes to terms set forth in the wedding/band contract at some point between the date of signing the contract to the date of the wedding.

PREPARATION

Unless a band is a dedicated wedding band that only plays weddings, chances are that a wedding gig will require some extra preparation beyond a normal gig for the band – that may be in the form of custom charts for the band to perform (i.e. a special first dance song, the groom’s favorite song, that cousin wanting to sit in who sings a certain song in a certain key, etc.), working in extra players/musicians/sitting in, additional rehearsal(s), and, perhaps the most time-consuming for me, communicating about the wedding.  Weddings require a lot of attention to detail and all of that is done via phone and email over the course of the months between the booking and the event, usually increasing in the week(s) prior to the event.  Weddings necessitate a written and signed contract for me, which isn’t always the case with other venues who book us regularly or people with whom we have worked before.  Some weddings have wardrobe requirements in terms of colors or formal attire, which means some or all of the band have to plan ahead to acquire these items and spend money to accommodate that request.  Weddings are a one-shot, don’t-mess-this-up kind of event, so it’s important to take the time to get the details right; but this means more time and work from the band, who, conversely, can show up to their weekly/monthly gigs with minimal preparation.

LOAD IN/OUT

Weddings often have difficult and/or lengthy load-in or load-out scenarios.  Weddings are frequently held in locations that do not regularly accommodate live music, which makes it difficult to plan for things like the following:

  • Access to electrical outlets (in relation to wherever the bride/groom/wedding coordinator want the band to set up)
  • The logistics of loading in and out (access to stairs/elevators/ramps, traversing long hallways and multiple levels, loading in/out through high traffic areas like kitchens or the reception crowd)
  • Dealing with traffic/loading zones while loading in
  • Locating (and sometimes paying for) parking
  • Outdoor logistics (grass/hills/rocks/bugs/critters/standing water/weather)
  • Gatekeepers, which can literally mean a person at a gatehouse for a gated community and they won’t let you in because someone forgot to put the band on the guest list.  This can also mean other people at the venue who take up more of your time and prevent the band from timely loading in, such as an indecisive or absent (when the band arrives) wedding planner who isn’t providing the band with information they need or someone at the venue forgetting to leave space for the band to set up and the band has to wait while someone goes and gets someone else to move the chairs/tables/whatever that are blocking the area where the band is supposed to set up

If the ceremony is at the same venue as the reception, this almost always necessitates a load in that is anywhere from 2 to 6 hours before the band actually reports for duty to perform.  This is additional time that the bandleaders and, usually, the drummer, have to take out of their day to go to the venue and set up and then either hang out at the venue or go home and come back during the interim time, as opposed to a regular gig where the band would simply load in about an hour ahead of time and play almost immediately after loading in.

Ultimately, it usually takes longer to load in/set up and break down/load out than the typical band gig.  Sometimes we can anticipate what logistics are involved in advance and sometimes we can’t.  If we do a walk-through prior to the wedding day, then that is additional time we have added to preparing for the wedding gig.

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Sitting in with the Boilermaker Jazz Band at my own wedding

SCHEDULE…WHAT SCHEDULE?

I have yet to work a wedding that stayed on the schedule I was given ahead of the wedding, if I was given a schedule at all.  The band is expected to roll with the shifting priorities and requirements of a wedding, which, in turn, affects the amount of time we have to play, sit and wait, and the beginning and/or ending time of the band’s performance.

One of my biggest complaints about wedding gigs is that, because the wedding runs on its own schedule without consideration for the band (which is fine, for the most part, this day is not about us!), the newlyweds do not often maximize the band’s playing time and we ultimately play less than anticipated, overall.  We really do want to perform for you!  However, you are paying for our time in its entirety (playing or not playing), so if we’re contracted to play from 4:00 p.m. to 8:00 p.m. and the party just really got started at 7:00 p.m. because of toasts/photos/arrival/cake cutting, I’m sorry, we have already been at your wedding for a good portion of the day and our contractual obligation is over.  Often this is upsetting to the bride/groom/other person in charge, they may get angry at us, give us a guilt trip, or they may even offer to begrudgingly pay us more money to stay longer.  This is a very awkward situation and everyone feels terrible – we want to provide the wedding with something of value, but we also want our time to be respected.

In a similar vein, you can’t expect the band to make up for the delays by playing for two hours straight – this is brutal to people who are hitting/plucking/strumming/blowing, essentially using their bodies to create music, without a break at some point (usually somewhere between 40 minutes and an hour of playing).

There may be specific instructions for where and how to enter or when and how the band can leave and we are waiting and paying attention for these things to happen, looking for certain cues to indicate action on our part.  With these delays we may be checking in multiple times with the wedding coordinator to get updates on how to proceed or what the new plan involves, since the paper plan is out the window.  If there is no wedding coordinator, there may be multiple people telling us different things about what the band is supposed to be doing at any given time.   We want to do this right and whoever has the plan, we are willing to go with that new plan.

EMOTIONS

The stakes are high and there’s no dress rehearsal for this show, we are all striving to deliver the best possible services; inevitably, some things will go awry at weddings and there are always people who will get emotional about it and project that onto the staff or whoever may be nearest to them – wedding planners, grooms, brides, fathers of the brides, mothers of the grooms, caterers, whoever has a stake in the day and/or a job to do.

EXTRA COSTS

There are always extra costs, some surprises, some known, such as the aforementioned specific attire or any additional sound equipment that may be needed to accommodate the requests from the bride/groom or the logistics of the venue.  I would also note that another difference in wedding v. regular gig is the absence of merchandise sales, CD sales, and tips; obviously, this would be super tacky to hawk our wares at your wedding or pass around a tip jar, but it is one consideration among many in the added cost.  There are also fewer intangible rewards, such as creative license in the gig itself and applause – I don’t know that I’ve been to a wedding where the crowd burst into applause, but I have been a part of many weddings where the guests either generally ignored the band or, if they are dancing, didn’t clap after songs.  Perhaps applause at a wedding reception is not necessarily appropriate, but it’s one of those things that can add to the feeling that a wedding gig is more work.

RISK FACTOR

This is one type of gig that is at great risk for cancellation, as we certainly can’t control matters of the heart.  I always build in some sort of deposit and cancellation policy, because there is risk in taking a gig like this, as we are often holding this date months, maybe even over a year, in advance and turning down other gigs.  It’s also risky dealing with people who are not used to booking bands – there are certain norms in the professional music community that may seem odd to someone who is not a professional musician, but are necessary in order to accomplish the gig; if they are not willing to see the necessity, to accommodate the basic needs of the band, or to communicate the necessary details requested, then the gig and/or preparing for the gig can quickly become a nightmare.

IN CONCLUSION…

To sum everything up, it’s simply more work to accept and execute a wedding gig for a band and, for this and all the specific the reasons stated above (and probably some I’m forgetting), this is why your average professional band will often charge more for a wedding than they would charge for a regular gig.   That said, while a wedding is more work, that does not mean that bandleaders avoid wedding gigs.  The examples listed above don’t all happen at the same time, there are a lot of wonderful aspects of performing at a wedding, and I don’t know of many bandleaders who would refuse a wedding gig with appropriate compensation – there’s a lot of love that is shared, with families and friends coming together, and we’re all here to have a big celebration and contribute to that celebration in some meaningful way.

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Balast Off 2018

It’s almost time for launch of one of the most intimate, local, focused, and fun-themed Balboa events in the U.S., Balast Off in Huntsville, Alabama – I’ll be performing with Michael Gamble and the Rhythm Serenaders at the evening dances on August 3 and 4, 2018 and will hope to get in a little dancing, as well!  Kudos to Huntsville for having one of the coolest venues, the Flying Monkey Theater at the Lowe Mill – this former textile mill has been converted into a mixed-use space holding the theater, shops, restaurants, artist studio spaces, and I’m sure there’s other things I have yet to discover because I find something new every year.  Shout out to Pizzelle’s Confections and that taco truck a few blocks away – we are coming!

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Going to Madrid for The World Jam!

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EDITED 8/2/18: This event is cancelled, to my great dismay, for reasons out of the organizers control.  Some other time, Madrid… 

There aren’t enough exclamation points, I’m so excited to announce that I’ll be performing with Michael Gamble and the Rhythm Serenaders in Madrid, Spain this September at The World Jam!  This is my first international gig and the stakes are high – the premise of The World Jam event is that they invite four bands from all over the world to compete in Madrid, so each set is a band battle and the winners are…well, everyone is a winner, especially the dancers, to get to listen to and dance to all this amazing swing music!

We’ll be competing against some old friends and we’ll make some new friends from the bands we don’t know – joining us for the battle are Gordon Webster Band (NYC), Professor Cunningham and his Old School (NYC), and the Enric Peidro Swingtet (Spain).

Join us in Madrid September 27-30, 2018 if you love jazz and swing music!

 

All Balboa Weekend 2018

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Photo by @bobbykatedance

This will be my 12th All Balboa Weekend, attending and/or working in some capacity, and it’s always a joy to bring excellent swing music to these particular shuffling feet.  This year I’ll be singing with Michael Gamble and the Rhythm Serenaders octet on Friday night (June 15) and with the Michael Gamble and the Rhythm Serenaders Orchestra on Saturday night (June 16).  Michael always works in some new material for Balboa dancers and I’m excited to see what he brings to the table for this weekend and also excited to revisit all the wonderful Ella Fitzgerald charts that Michael utilizes to showcase the Heritage Sounds collection of charts (which you can buy on the Heritage Sounds website!).  See you soon, Cleveland!

May Outdoor Shows in the Triangle

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May kicks off the season for outdoor concert series and the Mint Julep Jazz Band will be joining the ranks of bands braving the elements to bring you tunes in (hopefully) sunny and pleasant weather!  On May 16, 2018 we return to Booth Amphitheater’s Hob Nob Jazz Series for a performance on the back deck from 5:30 p.m. to 8:30 p.m. – admission is $5 (free for kids 12 and under) and you can either bring a picnic or buy wine and refreshments at the amphitheater.  There’s always plenty of room at the amphitheater, both on the deck and in the grass, and the deck is good for dancing!

On May 20, 2018, we’ll be performing as part of the Got to be NC Festival at the North Carolina State Fairgrounds – find us on the stage outside of Dorton Arena playing two sets from 4:15 p.m. to 5:45 p.m.  Best of all, admission to the festival is free!

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St. Louis and San Francisco

I feel like it’s a year of firsts in terms of travel for me, so my next “first” is my first time not flying home between weekend gigs.  I’ll start my week of travel adventures in St. Louis for the Nevermore Jazz Ball, performing at the Saturday night and Sunday night main dances with Michael Gamble and the Rhythm Serenaders.  Saturday night is at the historic Casa Loma Ballroom, where many great bands from the swing era performed.  Check out the video below for some footage of us performing in this amazing ballroom last year at Nevermore (video thanks to Voon Chew):

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Once Nevermore wraps, I’m heading to San Francisco to perform with the Rhythm Serenaders again at Fog City Stomp at the Thursday night and Saturday night main dances.  I’ll also be DJ’ing at the Friday night dance (with Clint Baker’s Golden Gate Swing Band on the bandstand) and participating in a panel discussion before the Friday dance on live music and the swing dance community.  This will be my first trip to San Francisco and I’m excited to have a few days to see the sights, shop the shops, and eat the eats!

See you soon Mid-West and West Coast!