It’s the most wonderful time of the year in many ways, but one special annual tradition for me for over 10 years at this point has been Lindy Focus, first as a dancer, then DJ, then vocalist. This year I’ll be re-joining Jonathan Stout‘s Lindy Focus All-Star Orchestra for the main dances and Michael Gamble and the Rhythm Serenaders for late night on December 30. I am excited that we will debut Jimmie Lunceford night on December 29, with chart transcriptions funded by the swing dance community, because Jimmie’s swing orchestra is one of my favorites.
I will also be participating in a panel discussion on December 30 from 1:30 p.m. to 3:00 p.m. called “Ain’t She Sweet? Issues of Gender for Musicians in a Male Oriented Jazz World” with some of my favorite jazz women, and you should also check out all of the discussion series led by Breai Mason-Campbell on issues of race in the Lindy Hop community. Lindy Focus is always fun and educational and I’m glad that the event continues to push us towards our better understanding and our better selves as a community.
See you soon!


One of my favorite swing era bandleaders is Chick Webb, the king of the Savoy Ballroom and jazz drumming trailblazer, who incidentally hired my favorite jazz vocalist, Ella Fitzgerald, for her first gig as the “girl singer” in his band. Chick Webb left this planet too early in 1939 and his legacy of songs lives in the recordings we listen and dance to, but the book of his arrangements is long gone. Seeing a need and an opportunity to bring this music to life again, Michael and Jaya Gamble spearheaded an 



