This will be my 12th All Balboa Weekend, attending and/or working in some capacity, and it’s always a joy to bring excellent swing music to these particular shuffling feet. This year I’ll be singing with Michael Gamble and the Rhythm Serenaders octet on Friday night (June 15) and with the Michael Gamble and the Rhythm Serenaders Orchestra on Saturday night (June 16). Michael always works in some new material for Balboa dancers and I’m excited to see what he brings to the table for this weekend and also excited to revisit all the wonderful Ella Fitzgerald charts that Michael utilizes to showcase the Heritage Sounds collection of charts (which you can buy on the Heritage Sounds website!). See you soon, Cleveland!
There’s a nice mix of performances coming up, a little dancing, a little listening, a little of both – hope to see you at one of these upcoming dates!
September 29-30, 2017 with Michael Gamble and the Rhythm Serenaders at Classic City Swing, Athens, GA – a wonderful workshop weekend at the University of Georgia, it will be a mix of visiting with family and performing with this swingin’ band.
October 7, 2017 Mint Julep Jazz Band at the Duck Jazz Festival, Duck, NC – the festival is expanding to add a performance on Saturday afternoon (us!) with a swing dance lesson between sets, come join us on the coast for this wonderful festival with enthusiastic jazz fans.
October 8, 2017 Ella at the Savoy: A Centennial Tribute, UNC’s Kenan Music Building rehearsal hall, Chapel Hill, NC – one of my pet projects honoring the unparalleled Ella Fitzgerald and her early work with the Chick Webb Orchestra and with Ella Fitzgerald and her Famous Orchestra.
October 19, 2017 Mint Julep Jazz Band at the North Carolina State Fair, Raleigh, NC – this is not only our first performance at the State Fair, but my first time ever at the State Fair! As a lifelong North Carolinian, I’m looking forward to finally being able to attend.
October 20-21, 2017 Mint Julep Jazz Band at Jammin’ on the James, Richmond, VA – excited to be performing for the first time with the Mint Julep Jazz Band at an event that is near and dear to my heart. My very first workshop weekend as a baby Lindy Hopper was at JOTJ and organizers Rita Shiang and Andy Nishida put on a top notch event, now in its 15th year.
In 1934, Ella Fitzgerald was a homeless teenager on the streets of Harlem with an incredible voice – she was discovered at the Apollo Theater’s famous amateur night that year and was quickly picked up by drumming powerhouse Chick Webb to perform in his orchestra. Chick Webb’s band was the most prominent of the house bands at the Savoy Ballroom, one of New York’s largest ballrooms, the only integrated ballroom in New York, and the birthplace of Lindy Hop. Before she was the First Lady of Song, Ella honed her skills as a big band singer with some of New York’s top working jazz musicians of the 1930’s.
April 25, 2017 marks Ella’s 100th birthday and, as a centennial tribute, a group of Triangle musicians has come together to celebrate her early work with the Chick Webb Orchestra and, in the years following Chick Webb’s death in 1939 at the height of the orchestra’s fame, leading the orchestra under her own name – Ella Fitzgerald and her Famous Orchestra.
Come see the show on April 23, 2017 from 7 p.m. to 9 p.m. at Sharp Nine Gallery/Durham Jazz Workshop, 4608 Industry Lane, Suite L, Durham, NC – tickets are $20.00 and you can purchase them through Brown Paper Tickets. For more information, visit the Sharp Nine Gallery website.
Laura Windley – vocals
Kobie Watkins – drums
Jim Crew – piano
Peter Kimosh – bass
Chip Newton – guitar
Keenan McKenzie – reeds
Aaron Hill – reeds
Dan Hitchcock – reeds
Taylor Savage – reeds
Lucian Cobb – trombone
Evan Ringel – trombone
Jim Ketch – trumpet
Kyle Santos – trumpet
Paul Rogers – trumpet
Here it is, 3 sets (and two encores!) of Chick Webb music in all its glory at Lindy Focus 2016! As with any tribute, we hope that the band was able to capture the magic of a night at the Savoy Ballroom, with the most famous of the Savoy’s house bands. Much love to everyone who contributed to the transcription project to make this dream a reality!
Transcriptions by Mark Lopeman, Dan Barrett, and Keenan McKenzie. Performed by the Jonathan Stout Lindy Focus All-Star Orchestra, with Jonathan Stout (guitar), Chris Dawson (piano), Marquis Howell (bass), Josh Collazo (drums), Gordon Au (trumpet), Ken McGee (trumpet), Jon-Erik Kellso (trumpet), Lucian Cobb (trombone), Dan Barrett (trombone), Albert Alva (reeds), Dan Levinson (reeds), Jonathan Doyle (reeds), Keenan McKenzie (reeds), and Laura Windley (vocals).
One of my favorite swing era bandleaders is Chick Webb, the king of the Savoy Ballroom and jazz drumming trailblazer, who incidentally hired my favorite jazz vocalist, Ella Fitzgerald, for her first gig as the “girl singer” in his band. Chick Webb left this planet too early in 1939 and his legacy of songs lives in the recordings we listen and dance to, but the book of his arrangements is long gone. Seeing a need and an opportunity to bring this music to life again, Michael and Jaya Gamble spearheaded an IndieGoGo campaign to raise money to transcribe 33 Chick Webb arrangements and make them available to the public following transcription and performance at Lindy Focus 2016. The crowd funding goal of $17,000 was met in less than 24 hours and the swing dance community’s love and adoration of Chick Webb’s music is evident in this feat!
On December 29, 2016, the fruits of these labors will come to fruition in a performance of these transcribed Chick Webb charts, with Jonathan Stout leading the change with his Lindy Focus All Star Orchestra and I am beyond any measure of excited to be performing Ella Fitzgerald’s vocal tunes. There is so much love in this project, so many people who want to share in this experience on many levels, it’s almost overwhelming for me to think about. It’s all summarized here on the Lindy Focus page dedicated to this project, detailing the helpers, the backers, the list of songs and people who sponsored them, and the excitement continues to build up to the performance and, for some, the release of these charts so that other bands may carry this music into the future and perform it for an even bigger audience.
I am honored to be a part of the team putting all of this together, both as vocalist and working on the copyright aspects of the project. Cheers to you all, I hope to see you on December 29 in Asheville!