Author: Lindy Shopper

Vintage jazz dancer, DJ, songbird, blogger

Singing with the Glenn Miller Orchestra – April 24 and 25, 2021

I’m excited to announce that my first in-person gig since March 1, 2020 will be with the Glenn Miller Orchestra at the Newberry Opera House in Newberry, SC on April 24, 2021 for a matinee and an evening show! Please check out the Newberry Opera House website for details and COVID precautions and I’ll cautiously hope to see my South Carolina friends there.

We’ll also be performing on April 25, 2021 for the Still Hopes Episcopal Retirement Community in West Columbia, SC – I’m assuming this is not open to the public, but will definitely be a treat for the residents!

Dressing Like a Lawyer in Vintage Style

CAPTION: One of my favorite suit looks for winter – Pendleton Wool suit from the 1980s; homemade velvet waistcoat from the 1970s; vintage wool tie (maybe 50s/60s?), vintage scottie dog tie clip, Ann Taylor petites dress shirt. I have definitely worn this to court multiple times – the plaid is a little more dark and subdued than in this photo.

Over the years I’ve received a number of compliments about my work clothing as an attorney and follow-up questions about where I buy my clothing. It’s a struggle for most people I know to find professional clothing that looks flattering and is also comfortable. The most frustrating item for me is the modern suit – skinny pants made for legs smaller than mine; low rise pants that I don’t want to have to constantly be pulling up in court or worried about showing my crack when I bend over to get something out of a trial box; if there’s even a skirt option it’s a tapered “pencil” skirt that my thighs would stress and rip the rear seam if I, again, bent over to get something out of a trial box; jackets that are somehow shapeless and wide in the waist/torso and constricting at the arms and shoulders; and everything is too long for my frame.

It’s no secret that I run a swing dancer fashion blog called Lindy Shopper, where I explore clothing and shoes for dancing. As I started working as a professional it became important for me to integrate my work and dance clothing so that I could leave work and go immediately to a dance or not have to change clothing. Over time, as mall shopping became a wasteland in terms of fit and interesting offerings, I looked more to vintage and smaller online vintage-inspired brands to fulfill my wardrobe needs for both work and dancing.

SUITS

Some vintage clothing is already more formal than what most people would wear today, so things like suits that are no longer daily or even special occasion-wear for some can be purchased for less than a new, modern suit would cost. I have vintage/older suits ranging in decades from the 1940s to the 2000s. The things I like about vintage suits are numerous:

  • Sturdier and more quality fabric. This is both for winter and summer suiting, by which I mean a heavier weight wool for winter and cotton and linen for summer. I have a couple of wool crepe suits that might fall under 3 season weight and they are also of a nicer quality.
  • The armholes sit higher, which is less constricting for arm movement and for the fabric across your back.
  • The sleeves are wider at the bicep, which is also less constricting.
  • Aside from some my 1950s suits, the skirts (I only have skirt suits at this point, though I have odd jackets that I wear with trousers) are at least an A-line, making it easier to go into a full squat without the worry of a split in the back or flashing people from the front. Hemlines are often below the knee.
  • They are available in lawyer-appropriate colors and textures – black, gray, tweed, seersucker, linen, etc.
  • They come in classic shapes that are almost indistinguishable from modern custom suiting – I say custom because people often notice my suits because they are different from modern suiting in that they look better, but aren’t so different from what is being offered as today’s suit. For example I try to stick with classic lapels and A-line skirts, but details like a different pocket shape, interesting seaming, or topstitching give it a custom look.
  • I can often find them in pristine condition, either never worn or barely worn. I do have this requirement for suits, that they have no obvious flaws, while I will wear stained or visibly repaired vintage garments in other settings.

As with all vintage clothing, there are some maintenance issues. The first things in a garment to deteriorate are usually threads, so you may periodically have to repair seams. They will need to be dry-cleaned, which I do at the wardrobe switch between cold and warm weather or as needed if I spill something.

Also, when I am shopping at brick and mortar vintage shops, I usually have to ask if they have any suits – suits don’t usually move quickly, so I have found that there’s often a stash in the back that the shopkeeper can pull from. In some cases, I’ll give a vintage store a heads up about looking for suits so they can pull things in my size from their storage space or warehouse.

Newer suits have been hard to come by. Around 2003 I purchased a gray suit and a black suit from The Limited, with jacket, trousers, and flared/slightly trumpet skirt. I can’t wear the trousers anymore, but the remaining skirt suits have been a staple of my wardrobe that I cling to because I haven’t found a suitable replacement in stores. A few years ago I commissioned Kim Clark (one of my tailors) to make me a 1940s style suit out of modern gray stripe suiting fabric and another more 1950s inspired suit out of some incredible glen plaid suiting I found for $3/yard at a local thrift store, which is the closest I have come to a new suit in a long time. That said, I purchased a new suit this week from Emmy, who has released a summer suit consisting of a short sleeved jacket and skirt in linen, basically perfect for walking to the courthouse in the summer.

I have also incorporated other vintage clothing items into my work wardrobe – skirts, vests, ties, and blouses, primarily. Locating these items is a great treasure hunt that is not for the faint of heart. As I am always shopping for vintage items in general, I frequent brick and mortar stores locally and in my travels, troll Etsy for certain categories (1940s suits are a dream), monitor offerings from favorite sellers on vintage Facebook groups and Instagram sellers, and occasionally check for things on eBay (I’m looking at you, Ralph Lauren from the 1980s/1990s). Most of the time I am not looking for anything specific for work, but come across an item that would be perfect and seize the moment. This is a process and these vintage items are collected over years, even decades at this point.

CAPTION: NWT on Poshmark for $27 *sigh*

Before things get too discouraging, please know that most of my non-suit work wardrobe is not vintage, but definitely inspired by vintage. I am only in court a few times a month, so most of what I am wearing for days at the office is my version of business casual. There are several staples that I keep coming back to over and over:

TOPS

Lands End made a wonderful supima cotton crew neck sweater – now that I have bought these in 6 different colors, I see that they are no longer making the short sleeve shell, but are still offering the cardigan? Boo! This is my #1 top staple, they look great under any suit, add a necklace to pair with skirt or trousers, and were available in petite and plus sizes, as well. If I find a good substitute, I will update this blog post. Until then, BOOOOOOO.

Button up blouses may be the scourge of most lady lawyers, but I find that vintage style blouses usually have gathers at the shoulders that give you a more comfortable amount of bust room, a greater range of motion for your arms, while still giving you darts to retain your shape at the waist. They are also often made of more flowing fabrics, which also helps show off your shape. I will never suffer through another cotton rectangle, feeling like She-Hulk with a boob gap and constricted biceps. I almost always buy short sleeve blouses because my arms are so short (the only ones I have that I don’t have to roll up the cuffs are vintage), so I am mostly going to feature short sleeves here, but all of these brands also offer lovely long sleeved options, as well.

Emmy Design, based in Sweden, is probably my top contender for both style and quality, offering short and long sleeves, prints and solids, wear button or unbuttoned, etc. They also have gorgeous knits, both shells to wear under suits and cardigans to wear over clothing on more casual days.

A close runner-up is The House of Foxy, who have also been incredibly solid in terms of fit and quality of fabrics. Perhaps my biggest complaint is that my arms are too short for their incredibly gorgeous long sleeved lady blouses, which they seem to be releasing more of than short sleeved versions for my stumpy arms.

TROUSERS

I am a devotee to reproductions of the straight leg high waist trousers from the 1930s and 1940s. There are three companies I go to when I need a new pair of trousers and all of them are based in the UK: Heyday, Vivien of Holloway, and The House of Foxy. To me, Heyday has the best fabric, followed by House of Foxy, but the Vivien of Holloway trousers are cut for my 12 inch waist/hip ratio. Heyday also offers a stretch fabric option, which is nice for fluctuations, although I do not rely on stretch fabric as a substitution for fit when I am buying a trouser initially. All three of these brands suffer from adding white buttons to some (but not all) colors of their pants, making it look like you’re in a Broadway revival of Anything Goes – that is not the vibe we are going for as attorneys, so I always swap out the white buttons for either matching buttons or tortoiseshell. I also always have to hem all of my pants, so please go into this with a tailor at your side if you are short legged like me – if you are long legged, you can probably get an extra inch out of the cuffs.

SKIRTS

I usually stick to A-line, trumpet, or slightly fuller skirts (but nowhere close to a circle skirt) for work, usually (but not always) in conservative colors, depending on what I am doing/who I am meeting with that day. Again, the test is “can I squat in front of a file box without worrying about my skirt?” I have found skirts that fit the bill at ModCloth, House of Foxy, Emmy, and Trashy Diva, in addition to a few vintage pieces.

DRESSES

I tend to gravitate to two basic silhouettes of dresses, both of which look good with a jacket and I usually leave a jacket in my office to toss over a dress for surprise client visits without an appointment. The first is a shirtwaist dress, which essentially works as a one-piece in place of a blouse and you simply pull your collar over your jacket as you might a dress shirt. The other is just about any V-neck dress with an A-line or gathered skirt (again, those damn file boxes), just add a necklace and optional jacket to complete the look. I occasionally find other necklines that work, as well, but those are fewer and far between. I usually stick to the aforementioned brands (add Pretty Retro – spinoff brand of House of Foxy, and Loco Lindo), vintage, or I’ve made a few shirtwaist dresses in the past year thanks to having plenty of down time during the pandemic.

SHOES

You may not agree with me on shoes, as I only ever wear flats or the lowest possible heels to court. I am often walking to the courthouse and I have feet and back issues that necessitate comfort shoes with straps. I am often seeking Mary Jane or t-strap style shoes, but if you can wear ballet flats, the world opens up a lot more options for professional/comfort footwear. I have purchased shoes in the past from Born, Walking Cradles, Miz Mooz, and Aerosoles, but the only shoes I have that are currently in production are from Remix Vintage Shoes, Bangi, and Rockport’s Cobb Hill line.

The Cobb Hill Angelina is my go-to court shoe – right now it’s only available in black, but I also have it in light brown (you may poke around the internet to other shops and find other options). If I needed another shoe, I wouldn’t hesitate to get the Cobb Hill Laurel Mary Jane.

For summer court-wear, my favorite shoe is Bangi’s Jaffa t-strap flat in white and brown. I don’t like showing my toes in court because I am lazy about keeping them pretty in the summer and they usually get trashed while swing dancing, so the Jaffa shoe is the perfect mix of a closed toe shoe and a sandal, that feels good to wear with bare feet and are comfortable for walking to and from the courthouse on a hot, sunny North Carolina day in July. They look great with all of my summer suits – cotton, linen, seersucker, etc.

Remix Vintage Shoes Dara and Corazon shoes are my favorite summer sandal for the office on days that I don’t go to court. They are based on 1940s play shoes and kind of feel like you are wearing a fancy athletic sandal. I own the Dara in 4 colors, which is a testament to my love. I just got my first pair of Corazons, which are similar in feel to the Daras, and I anticipate I will add more to my closet in the future. I practice family law, so the wearing of hearts is always a little tongue in cheek.

IN CLOSING

I realize this is a labor of love and I am willing to put in the time because I love wearing clothing that makes me happy, looks professional, looks good on my body, and is comfortable. I hope that this will direct you to some new resources for your professional wardrobe if you are looking for some vintage or vintage-inspired style and give you some new ideas about what to look for in other brands you may already love or come across in your shopping adventures.

New Album: Remote Riffing: Volume 2 (CalBal Live)

The remote recordings continue with the release of Remote Riffing: Volume 2 (CalBal Live), an EP of the five tunes Keenan McKenzie assembled for the CalBal Live virtual Balboa workshop in January, 2020. I’m singing on two tracks, both original swing tunes written by Keenan McKenzie – If I Wrote a Song for You with Keenan McKenzie and the Riffers and Transcontinental with the Keenan McKenzie Orchestra. I have previously recorded both of these songs for Keenan’s album Forged in Rhythm, but it was fun to revisit these, perform them now that I’ve had them under my belt a couple of years, and hear the new arrangements, particularly Transcontinental with a big band! Please go to Keenan’s Bandcamp page and check out the incredible lineups of musicians for each song – I know we have been weary of this pandemic for some time, but this is one of those silver linings, essentially being able to record anywhere and have someone create this alchemy of recordings.

Three New Music Videos for CalBal Live

This past weekend the Mint Julep Jazz Band premiered three new music videos as part of the California Balboa Classic’s virtual event, CalBal Live! The event reached out to 5 bands/bandleaders to create brand new recordings for the event, compiled remotely due to the COVID-19 pandemic, including Michael Gamble and the Rhythm Serenaders, Gordon Au’s Grand Street Stompers, the Jen Hodge All-Stars, Keenan McKenzie and the Riffers, and the Mint Julep Jazz Band, We hope you enjoy these new-to-us tunes, here’s the scoop on each song, the sponsors, and the musicians for each recording:

COWBELL SERENADE

If you say CalBal three times fast it might come out sounding like cowbell at the end – hence this tune is a pun on the event’s nickname. We’d been looking for pitched cowbells for years, online an at music stores, and it took a pandemic Zoom cocktail hangout for the topic of almglocken to come out. Thanks to Jonathan Stout for the suggestion, we think they worked out great! Here’s our rendition of Johnny Blowers’ Cowbell Serenade, sponsored by Gary Chyi.

Lucian Cobb – trombone, Matt Fattal – trumpet, Keenan McKenzie – tenor saxophone, Aaron Hill – alto saxophone, Chip Newton – guitar, Jason Foureman – bass, Kobie Watkins – drums, Laura Windley – glockenspiel

I’M GONNA SIT RIGHT DOWN AND WRITE MYSELF A LETTER

This is an original arrangement of I’m Gonna Sit Right Down and Write Myself a Letter, written by Lucian Cobb, with vocals inspired by the Boswell Sisters. Thanks so much to Kevin Wang, Lian Tarhay, Ursula Hicks, Kevin Nguyen, Matt Mitchell, and Jennifer Reed, all swing dancers in Austin and Dallas, Texas, who joined forces to sponsor this song for CalBal Live.

Laura Windley – vocals, Lucian Cobb – trombone, Paul Rogers – trumpet, Keenan McKenzie – tenor saxophone, Aaron Hill – alto saxophone, Ben Lassiter – guitar, Peter Kimosh – bass, Aaron Tucker – drums

RAGGIN’ THE SCALE

When we started talking to the CalBal Live organizers it became clear that they were excited about everything the bandleaders proposed and were up for funding big band charts. While the Mint Julep Jazz Band isn’t a big band, Lucian really wanted to do a big band song because it would be fun to put together. He had already transcribed Raggin’ the Scale (from an Ella Fitzgerald and her Famous Orchestra live recording from the Savoy Ballroom) for Michael Gamble and the Rhythm Serenaders Orchestra and Michael gave his blessing for us to record Lucian’s transcription, so here we are! Thanks so much to Pasadena Balboa and Jam for sponsoring Raggin’ the Scale, this song is an absolute blast.

Trumpet – Renee McGee, Jay Meachum, and Jim Ketch; Trombone – Lucian Cobb and Evan Ringel; Alto Saxophone – Brian Miller and Aaron Hill; Tenor Saxophone – Keenan McKenzie and Annalise Stalls; Drums – Dan Faust; Bass – William Ledbetter; Guitar – Ben Lassiter; Piano – Clark Stern; Glockenspiel – Laura Windley

New Video: The House on Hawkins Drive

Just in time for Halloween, Keenan McKenzie‘s The House on Hawkins Drive – a ghostly tale of dancing and music in a haunted house – is now a music video! Keenan is a true Renaissance man, serving as songwriter, arranger, performer, audio engineer, video editor, and overall creative mastermind of this entire thing. I am, of course, delighted to be a part of the project and equally delighted to appear singing in the moon for the duration of the video.

The video features our friends, Lindy Hoppers Sydney Bernstein-Miller, Jordon Chan Lauren Gibson, Mel Khaw, Audrey MacInnes and Gavin MacInnes, as well as musical collaborators Riley Baker (drums), Lucian Cobb (trombone), Aaron Hill (alto saxophone), Lynn Grissett (trumpet), William MoBetta Ledbetter (bass), Keenan McKenzie (saxophone/clarinet), Chip Newton (guitar), and Mark Wells (piano).

Enjoy and have a safe and wonderful Halloween!

New Album: Keenan McKenzie and the Riffers – Remote Riffing: Volume 1

Keenan McKenzie has been releasing remotely recorded videos throughout the COVID-19 pandemic and compiled these recordings and two brand new original swing tunes into Remote Riffing: Volume 1, an EP released on Bandcamp on October 18, 2020. I’m singing on three tunes – The Dwindling Light By the Sea, My Well-Read Baby, and The House on Hawkins Drive. The latter is a Halloween tale of epic proportions, released just in time for your remote festivities!

The album personnel are musicians from all over the United States, including Lucian Cobb (trombone), Jonathan Stout (guitar), James Posedel (piano), William Ledbetter (bass), Daniel Faust (drums), Noah Hocker (trumpet), Josh Collazo (drums), Chris Dawson (piano), Gordon Au (trumpet), Peter Shilliday (utensils), Lynn Grissett (trumpet), Haruka Kikuchi (trombone), Annie Erbsen (guitar), Mark Wells (piano), Chip Newton (guitar), Riley Baker (drums), Renée McGee (trumpet), Shaena Ryan Martin (baritone saxophone), Billie Feather (guitar), and Chrishawn Darby (drums). While I know we all miss performing with each other in-person, it’s exciting to see and hear the possibilities that can be facilitated by pandemic limitations.

Enjoy!

New Videos from The Riffers and Mint Julep Jazz Band

The pandemic recordings keep coming – we had to be doing something this whole time, right?  In non-COVID times, the Mint Julep Jazz Band would have performed over Labor Day weekend at Camp Hollywood, but this year Camp Hollywood put on a four day virtual event that was as close to the real thing as we can get right now.  We decided to put together a remote recording with video and audio of the band performing “Milkman, Keep Those Bottles Quiet” to premiere at Virtual Camp Hollywood and now you can watch it on YouTube.

Keenan McKenzie (who not only appears in the MJJB video above, but also graciously coached us in how to put together a remote video) released his next in a series of remote recordings, featuring his original tunes and musicians from around the U.S. – “My Well-Read Baby” is one of those songs I love to sing and love to hear, so I hope you enjoy this fresh take!

Michael Gamble and his Very Swinging Friends – Four EPs of Remote Recordings

Conceived and executed entirely during the pandemic, Michael Gamble has assembled four lineups of musicians from across the US for a remote recording project and is releasing four EPs, two at a time, on the September 4, 2020 and October 2, 2020 Bandcamp Fridays (where Bandcamp donates their share of the proceeds to the artists)!  I’m excited to be the featured vocalist on each EP with an incredible lineup of musicians, so many I’ve met over the past decade of performing at swing dance events all over and, while we can’t make music together in person, it is so nice to hear these familiar “voices,” who have been such a wonderful part of my life.

Michael wrote a post that sums it all up nicely, so I’ll share that here and I’ll update with links as they become available:

“ISOLATION SESSIONS, PARTS 1-4

All recordings from this series were made remotely, each of the 18 musicians (from 9 states) playing either in their homes, home-studios, or whatever they could make work! Despite the obvious logistical hurdles, we were determined to make an artistically cohesive and exciting project. Sections of music were pieced together painstakingly to make sure that no part was recorded prior to something that it needed to react creatively to, which often required multiple takes by the same musician on the same tune, spread over weeks. We believe the result — while certainly different in feel than prior Rhythm Serenaders albums which were recorded live in a single room — is a special set of recordings with their own completely unique flavor. We hope they’ll be enjoyed for years to come!

RELEASE SCHEDULE AND PERSONNEL
As many of you know, bandcamp.com allows one day per month where all sales go to benefit the artists. Since many of us are struggling to make ends meet without gig income, I am making sure to time my releases of these sessions to match those days. That way you know all of your money is going straight to the musicians.
Each session has a unique combination of performers that you’ll recognize from their lifelong contributions to our scene.
SESSIONS #1 & 2 RELEASE DATE: Friday September 4th, 2020
Laura Windley – Vocals
Dan Levinson – Clarinet & Tenor Saxophone
Noah Hocker – Trumpet
Jonathan Stout – Acoustic & Electric Guitars
Chris Dawson – Piano
Michael Gamble – String Bass
Hal Smith – Drums
Laura Windley – Vocals
Dan Levinson – Clarinet, Tenor & Alto Saxophone
Chloe Feoranzo – Clarinet & Tenor Saxophone
David Jellema – Cornet
Charlie Halloran – Trombone
Jonathan Stout – Acoustic & Electric Guitars
James Posedel – Piano
Michael Gamble – String Bass
Hal Smith – Drums
SESSIONS #3 & 4 RELEASE DATE: Friday October 2nd, 2020
SESSION #3 PERSONNEL:
Laura Windley – Vocals
Keenan McKenzie – Clarinet & Tenor Saxophone
Gordon Au – Trumpet
Jonathan Stout – Acoustic & Electric Guitars
Craig Gildner – Piano
Michael Gamble – String Bass
Riley Baker – Drums
SESSION #4 PERSONNEL:
Laura Windley – Vocals
Keenan McKenzie – Clarinet & Tenor Saxophone
Jacob Zimmerman – Clarinet & Alto Saxophone
Gordon Au – Trumpet
Lucian Cobb – Trombone
Jonathan Stout – Acoustic & Electric Guitars
Chris Dawson – Piano
Michael Gamble – String Bass
Josh Collazo – Drums”

Virtual Camp Hollywood – September 4-7, 2020

In an alternate timeline I would be boarding a plane this Friday morning to fly to Los Angeles to spend Labor Day weekend days poolside at the LAX Marriott and evenings DJ’ing and singing with my band and Michael Gamble and the Rhythm Serenaders at Camp Hollywood.  In our current timeline, Hilary Alexander has put together an incredible weekend of competitions, classes, discussions, and music for a Virtual Camp Hollywood that will be streamed on YouTube for free and classes/events will be donation-based!  Find the entire event streaming on the Camp Hollywood YouTube channel, starting at 8 p.m. PDT/11 p.m. EDT this Friday, September 4, 2020 through Monday, September 7, 2020.

I’ll be kicking off the music for the weekend with a DJ set on Friday from 8-10 p.m. PDT/11 p.m.-1 a.m. EDT, you can find me as part of the Bandleader Summit with Jonathan Stout and Michael Gamble on Sunday, September 6, 2020 from 4-5:30 p.m. PDT/7-8:30 p.m. EDT, and at some point over the weekend the Mint Julep Jazz Band will have a little surprise for everyone – tune in!

Photograph courtesy of Piqant Photography.

Laura on Podcasts – Desert Island Jams and Hey Mister Jesse

A couple of months ago I sat down with UK-based swing DJ, MC, and instructor Sarah Spoon, who had conceived of a brand new, not yet launched podcast called Desert Island Jams, which would feature swing community personalities picking the 10 songs they would take with them to a desert island and talking about those tunes.  Given that dancers are music loving creatures and who doesn’t love a top 10 list, I thought this was brilliant and delighted in my hour or so chatting with Sarah about my list.  Subsequently, Sarah has released episode 1 featuring Ryan Swift of The Track podcast and swing DJ fame and episode 2 featuring swing and house dance powerhouse instructor LaTasha Barnes, both stellar episodes – thus, I’m so very excited that I am episode 3, which came out today!  Come hang out with me and Sarah while we talk about tunes I love and share a lot of fun and laughter.

I also got a shoutout on the August 2020 episode of the long-running Hey Mister Jesse podcast, hosted by Jesse Miner and Manu Smith, featuring music that is of interest to swing dancers.  There have been a number of COVID-19 pandemic album releases and this episode features 8 of them, including Gordon Au’s Tribute to Louis Armstrong and his All-Stars/Live at Lindy Focus, and you can hear me and Jim Ziegler sing and banter on “My Bucket’s Got a Hole In It” – enjoy!